Music from Star Trek: String Orchestra Conductor Score & Parts
Arranged by Robert Longfield
Grade: 2
Item: 35-PK00135852
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| Product | Price | Quantity |
|---|---|---|
| Music from Star Trek - Full Score | $6.00 | |
| Music from Star Trek - Violin 1 | $7.00 | |
| Music from Star Trek - Violin 2 | $7.00 | |
| Music from Star Trek - Violin 3 (Viola T.C.) | $7.00 | |
| Music from Star Trek - Viola | $7.00 | |
| Music from Star Trek - Cello | $7.00 | |
| Music from Star Trek - Bass | $7.00 | |
| Music from Star Trek - Piano | $7.00 | |
| Music from Star Trek - Percussion 1 | $7.00 | |
| Music from Star Trek - Percussion 2 | $7.00 |
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About the Arranger: Robert Longfield
Robert Longfield has built a reputation as an arranger who understands what makes music work in educational settings. His arrangements balance accessibility with musical substance, giving students material that sounds impressive while remaining playable at their current level.
Why we love this
String orchestras need repertoire that generates real excitement in the room, and this arrangement delivers that without requiring advanced technique. The blend of recognizable themes with contemporary film scoring sensibility means your students will be genuinely invested in rehearsals, making the Grade 2 difficulty feel purposeful rather than limiting.
What to expect
You get that unmistakable Star Trek energy, complete with familiar melodic hooks and the kind of orchestration that makes you feel like you're watching the film itself. The arrangement maintains the scope and drama of the original score while scaling everything to work for younger players.
Who it's for
String orchestra directors programming pops concerts, family matinees, or movie night events will find this arrangement hits the mark for engaging audiences and students alike. It works equally well for middle school groups looking for material that feels current and for high school orchestras seeking a refreshing break from classical repertoire.
How to get the most out of it
- Balance the melody between your first violins and violas on the primary themes; the arrangement works best when both sections shine equally rather than one overpowering the other.
- Pay attention to the rhythmic precision in the accompaniment figures, as film scores depend on tight ensemble playing to create that cinematic drive.
- Let the dynamic contrasts breathe. These arrangements typically include marked shifts between sections that can feel understated in rehearsal but land powerfully in performance.
How to use it
This sits perfectly in a pops concert bracket or as a closing piece for a film music themed concert. At one minute forty-five, it fills a sweet spot between shorter openers and longer feature selections, giving you flexibility in concert planning without requiring students to sustain a lengthy performance.
Skills your students will build
- Balancing lyrical melody lines with rhythmic accompaniment figures
- Executing smooth dynamic transitions that serve the narrative arc of film scoring
- Maintaining ensemble cohesion across a moderately paced contemporary arrangement
- Reading orchestration that includes divisi passages and cued material