Music from How To Train Your Dragon: Concert Band Conductor Score & Parts
By John Powell / Arranged by Sean O'Loughlin
Grade: 3
Item: 35-PK00155846
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About the Composer: John Powell
John Powell has established himself as one of the most prolific and inventive film composers of the past two decades, with a particular gift for scoring animated features and action films. His work across the How to Train Your Dragon franchise demonstrates his ability to craft memorable, orchestral themes that resonate with both family audiences and musicians seeking substantial concert material.
Why we love this
Sean O'Loughlin's arrangement captures the sweep and character of Powell's original score while sitting comfortably within the capabilities of a solid Grade 3 band. The Celtic inflections give it genuine personality, setting it apart from standard film music transcriptions that can feel generic in concert settings.
What to expect
Soaring and cinematic, with an underlying sense of mischief and discovery. The music conjures the freedom of flight and expansive landscapes, anchored by folk-inspired harmonies that give it warmth rather than pure bombast.
Who it's for
Directors programming pops concerts, family matinee shows, or lighter fare alongside traditional concert pieces will find this an immediate crowd pleaser. It works equally well for bands developing ensemble cohesion and confident section playing without the interpretive demands of advanced classical repertoire.
How to get the most out of it
- Balance the melodic content between woodwinds and brass so the Celtic character stays prominent; this isn't a heavy orchestral statement but rather a nimble, adventurous piece.
- Shape the 4:45 duration with clear sectional pacing rather than treating it as one sustained arc; the adventure themes need breathing room between major thematic statements.
- Pay attention to articulation details in the horn and trombone parts, which often carry accompanying figures that define the rhythmic energy without overwhelming the main lines.
How to use it
Position this as a second or closing piece on a concert that mixes genres, where it can provide a satisfying shift in tone without derailing overall program flow. Its 4:45 length makes it ideal for filling out a pops concert segment or serving as a bridge between classical works and contemporary selections.
Skills your students will build
- Articulation clarity in fast-moving passages
- Sustained legato playing over longer phrases
- Balance between melodic and accompaniment roles
- Quick dynamic shifts and sectional ensemble precision