Music from How To Train Your Dragon Sheet Music Preview

Music from How To Train Your Dragon: Concert Band Conductor Score & Parts

By John Powell / Arranged by Sean O'Loughlin

Grade: 3

Item: 35-PK00155846

Digital Download
$80.00

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Product Price Quantity
Music from How To Train Your Dragon - Full Score $10.00
Music from How To Train Your Dragon - Flute $6.00
Music from How To Train Your Dragon - Oboe $6.00
Music from How To Train Your Dragon - Bassoon $6.00
Music from How To Train Your Dragon - Bb Clarinet 1 $6.00
Music from How To Train Your Dragon - Bb Clarinet 2 $6.00
Music from How To Train Your Dragon - Bb Clarinet 3 $6.00
Music from How To Train Your Dragon - Eb Alto Clarinet $6.00
Music from How To Train Your Dragon - Bb Bass Clarinet $6.00
Music from How To Train Your Dragon - Eb Alto Saxophone 1 $6.00
Music from How To Train Your Dragon - Eb Alto Saxophone 2 $6.00
Music from How To Train Your Dragon - Bb Tenor Saxophone $6.00
Music from How To Train Your Dragon - Eb Baritone Saxophone $6.00
Music from How To Train Your Dragon - Bb Trumpet 1 $6.00
Music from How To Train Your Dragon - Bb Trumpet 2 $6.00
Music from How To Train Your Dragon - Bb Trumpet 3 $6.00
Music from How To Train Your Dragon - F Horn 1 $6.00
Music from How To Train Your Dragon - F Horn 2 $6.00
Music from How To Train Your Dragon - Trombone 1 $6.00
Music from How To Train Your Dragon - Trombone 2 $6.00
Music from How To Train Your Dragon - Baritone B.C. $6.00
Music from How To Train Your Dragon - Baritone T.C. $6.00
Music from How To Train Your Dragon - Tuba $6.00
Music from How To Train Your Dragon - String Bass $6.00
Music from How To Train Your Dragon - Percussion 1 $6.00
Music from How To Train Your Dragon - Percussion 2 $6.00
Music from How To Train Your Dragon - Mallet Percussion $6.00
Music from How To Train Your Dragon - Timpani $6.00

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Description
The film score for this hit movie features magnificent adventure themes along with hints of Celtic influences. Sean O'Loughlin's expertly scored arrangement will provide a fresh and appealing addition to a pops or light concert setting. Dur: 4:45

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00155846

More about this title

About the Composer: John Powell

John Powell has established himself as one of the most prolific and inventive film composers of the past two decades, with a particular gift for scoring animated features and action films. His work across the How to Train Your Dragon franchise demonstrates his ability to craft memorable, orchestral themes that resonate with both family audiences and musicians seeking substantial concert material.

Why we love this

Sean O'Loughlin's arrangement captures the sweep and character of Powell's original score while sitting comfortably within the capabilities of a solid Grade 3 band. The Celtic inflections give it genuine personality, setting it apart from standard film music transcriptions that can feel generic in concert settings.

What to expect

Soaring and cinematic, with an underlying sense of mischief and discovery. The music conjures the freedom of flight and expansive landscapes, anchored by folk-inspired harmonies that give it warmth rather than pure bombast.

Who it's for

Directors programming pops concerts, family matinee shows, or lighter fare alongside traditional concert pieces will find this an immediate crowd pleaser. It works equally well for bands developing ensemble cohesion and confident section playing without the interpretive demands of advanced classical repertoire.

How to get the most out of it

  • Balance the melodic content between woodwinds and brass so the Celtic character stays prominent; this isn't a heavy orchestral statement but rather a nimble, adventurous piece.
  • Shape the 4:45 duration with clear sectional pacing rather than treating it as one sustained arc; the adventure themes need breathing room between major thematic statements.
  • Pay attention to articulation details in the horn and trombone parts, which often carry accompanying figures that define the rhythmic energy without overwhelming the main lines.

How to use it

Position this as a second or closing piece on a concert that mixes genres, where it can provide a satisfying shift in tone without derailing overall program flow. Its 4:45 length makes it ideal for filling out a pops concert segment or serving as a bridge between classical works and contemporary selections.

Skills your students will build

  • Articulation clarity in fast-moving passages
  • Sustained legato playing over longer phrases
  • Balance between melodic and accompaniment roles
  • Quick dynamic shifts and sectional ensemble precision

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