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Music for Little Mozarts: Notespeller & Sight-Play Book 1: Piano Book

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Music for Little Mozarts: Notespeller & Sight-Play Book 1 Cover Image

Music for Little Mozarts: Notespeller & Sight-Play Book 1: Piano Book

Written Activities and Playing Examples to Reinforce Note-Reading

By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster

Level: 1

Item: 00-45268

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Description
The Notespeller & Sight-Play Book 1 reinforces note-reading skills based on the concepts introduced in the Music Lesson Book 1. Each page of the Notespeller & Sight-Play Book has two activities---a written activity and a playing example. The written activity reinforces notes on the keyboard and staff through coloring, circling, drawing, or matching. The sight-play examples help students relate notes and musical concepts to performance on the keyboard, move out of fixed hand positions, and identify melodic and rhythm patterns.

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Additional Details
Series: Music for Little Mozarts
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-3350-7
ISBN13: 978-1-4706-3350-9
UPC: 038081519821
SKU: 00-45268

More about this title

About the Authors

Christine H. Barden
Christine H. Barden stands as a respected voice in early childhood music education and is the co-author of Alfred's Music for Little Mozarts preschool piano method. Based in Reno, Nevada, she maintains a private piano teaching studio where she works with accomplished students in piano and composition while also leading Music for Little Mozarts classes for young learners.

Her educational foundation includes a piano performance degree from San Francisco State University, where she studied under Vladimir Brenner, a principal pianist with the NBC Symphony Orchestra. She spent four years abroad studying, performing, and teaching in Europe before becoming one of the first American educators to train with Yamaha Music Foundation instructors in Japan. Over 17 years with Yamaha, she held significant positions including Director of Curriculum and National Chief Instructor for the Yamaha Music Education System.

As a sought-after clinician, Christine conducts workshops for piano teachers at conferences across the United States, England, Norway, and Singapore. Her published compositions through Alfred feature the Music for Little Mozarts curriculum as well as piano solos, including "Etude Toccata," which was selected as a National Federation of Music Club's Junior Festival piece.
Gayle Kowalchyk
Dr. Gayle Kowalchyk is a piano pedagogy specialist and instructor at California State University, Northridge, where she teaches class piano, applied piano, and pedagogy courses. She earned her undergraduate degree in piano performance from Ohio University, a master's degree in piano performance and pedagogy from Northwestern University, and a doctorate in piano pedagogy from Teachers College, Columbia University.

Her career has included faculty positions at Eastern Illinois University, where she coordinated the class piano program and directed the piano preparatory program, as well as teaching appointments at Oklahoma Baptist University and the University of Oklahoma. During the early 1980s, she spent summers teaching at the National Music Camp in Interlochen, Michigan. As a clinician and adjudicator, Dr. Kowalchyk has presented at numerous professional conferences including those hosted by the Music Teachers National Association, Music Educators National Conference, and the World Piano Pedagogy Conference.

In collaboration with her husband, Dr. E. L. Lancaster, Dr. Kowalchyk has authored more than 300 educational piano publications, among them Alfred's Premier Piano Course and Music for Little Mozarts. She operated an independent piano studio in Norman, Oklahoma from 1981 to 1996. Based in the Los Angeles area, she currently serves as a clinician for Alfred Music alongside her university teaching responsibilities.
E. L. Lancaster
Dr. E. L. Lancaster served as Executive Editor for Piano at Alfred Music and currently teaches piano as adjunct faculty at California State University, Northridge. He earned degrees from Murray State University and the University of Illinois, culminating in a Ph.D. from Northwestern University.

From 1979 to 1998, Dr. Lancaster was a Professor of Music at the University of Oklahoma, Norman, where he established the master's and doctoral programs in piano pedagogy in 1980 and supervised more than 50 doctoral dissertations. He taught piano pedagogy courses, coordinated the group piano program, and led the Piano Pedagogy Laboratory Program serving pre-college students. His numerous teaching honors include the Regents Award for Superior Teaching (1984), the Associated Distinguished Lectureship (1987), the Provost's Outstanding Academic Advising Award (1996), and the Outstanding Faculty Award in the College of Fine Arts (1996). In 1991 he received the David Ross Boyd Professorship, recognizing faculty excellence in teaching and student mentorship.

Dr. Lancaster has held significant leadership roles in music education organizations, including National Chairman of Group Piano and National Chairman of Student Chapters for MTNA, as well as serving as 2020 National Conference Chair. He also held leadership positions with the National Conference on Piano Pedagogy. From 1981 to 1996, he and his wife Dr. Gayle Kowalchyk operated a large independent piano studio in Norman, Oklahoma. In 2013, Phi Mu Alpha Sinfonia named him a Signature Sinfonian in recognition of his exemplary service to the fraternity, and Murray State University honored him in 2014 with the Distinguished Alumnus Award.

Why we love this

This book bridges the gap between written note recognition and keyboard confidence that first-year students need most. Rather than treating reading and playing as separate skills, it weaves them together on every page, letting young pianists see how a note on the staff becomes a finger on a key. The variety of written activities keeps engagement high while the sight-play examples build the spatial awareness that transforms hesitant note-by-note reading into actual musicianship.

What to expect

Opening this book feels like stepping into a musical playground where every page invites discovery rather than drill. The activities feel playful—coloring, matching, circling—yet each one quietly builds the neural pathways between eye, brain, and fingers. The sight-play examples are short and singable, designed to feel like small musical victories rather than tasks to conquer.

Who it's for

This book is designed for young piano students working through Music for Little Mozarts Lesson Book 1 who need targeted reinforcement of note-reading and early keyboard navigation. It suits preschool and early elementary students learning to connect staff notation with hand position and movement. Teachers using the Music for Little Mozarts curriculum will find it an essential pairing with their core lesson material.

How to get the most out of it

  • Encourage students to point to the staff line or space while saying the note name aloud before playing; this verbal connection solidifies the reading-to-keyboard bridge.
  • Have students observe their hand position during sight-play examples and notice when they shift out of fixed positions, building awareness of hand geography on the keyboard.
  • Use the written activities as informal assessment checkpoints during the lesson; patterns students struggle with on paper often show up in their playing next.
  • Play the sight-play melodies yourself first so students hear the musical shape before attempting to decode it, reducing cognitive load and building confidence.

How to use it

Assign pages from this book to students as supplemental sightreading homework between lessons, using the written activities to reinforce concepts introduced in the previous week's lesson and the sight-play examples to build confidence with new melodic or rhythmic patterns before they encounter them in the lesson book itself.

Skills your students will build

  • Identifying notes on the treble staff and keyboard (spaces and lines)
  • Matching written notes to keyboard locations without relying on fixed hand position
  • Recognizing and reading simple melodic and rhythmic patterns
  • Building fluency between staff notation and physical keyboard navigation
  • Developing left-hand and right-hand orientation on the keyboard

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