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Music for Little Mozarts: Music Recital Book 1: Piano Book

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Music for Little Mozarts: Music Recital Book 1 Cover Image

Music for Little Mozarts: Music Recital Book 1: Piano Book

Performance Repertoire to Bring Out the Music in Every Young Child

By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster

Item: 00-19724

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Description
The first 16 pages of Music Recital Book 1 interweave new music into an all-new story about Beethoven Bear, Mozart Mouse and the Magical Music Book. Students will enjoy the imaginative story while applying what they have learned from Music Lesson Book 1. This section of the book is a ready-made recital when a narrator reads the story and students perform the pieces in the appropriate places! The second section of the book includes challenge pieces based on folk tunes that require students to listen carefully and enter correctly as the teacher or a parent plays the duet.

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Additional Details
Series: Music for Little Mozarts
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-1255-X
ISBN13: 978-0-7390-1255-0
UPC: 038081185286
SKU: 00-19724

More about this title

About the Authors

Christine H. Barden
Christine H. Barden is recognized internationally as a leading expert in early childhood music education. She co-authored Alfred's Music for Little Mozarts preschool piano method and currently teaches private piano students in Reno, Nevada, where many of her students have won competitions. In addition to her private studio, she leads Music for Little Mozarts preschool classes.

Her musical training is extensive and distinguished. She earned a degree in piano performance from San Francisco State University, where she studied under Vladimir Brenner, a piano soloist with the NBC Symphony Orchestra. She spent four years in Europe studying, performing, and teaching, and was among the first American educators to train with Yamaha Music Foundation instructors in Japan. Barden subsequently worked as a national staff member for Yamaha for 17 years, serving as Director of Curriculum and National Chief Instructor for the Yamaha Music Education System.

Beyond her teaching studio, Barden is a sought-after clinician who leads workshops for piano teachers at conferences throughout the United States and internationally in England, Norway, and Singapore. Her published compositions through Alfred Music include the Music for Little Mozarts series along with several solo piano pieces; her "Etude Toccata" was selected as a Junior Festival piece by the National Federation of Music Clubs.
Gayle Kowalchyk
Dr. Gayle Kowalchyk is a piano instructor and pedagogy specialist at California State University, Northridge, where she teaches class piano and piano pedagogy. She earned her undergraduate degree in piano performance from Ohio University, followed by a master's degree in piano performance and pedagogy from Northwestern University, and completed her Ed.D. in piano pedagogy at Teachers College, Columbia University.

Throughout her career, Dr. Kowalchyk has held faculty positions at several universities, including Eastern Illinois University where she coordinated the class piano program and directed the piano preparatory program. She previously taught at Oklahoma Baptist University and the University of Oklahoma, and spent summers from 1979 to 1982 teaching class piano and ensemble at the National Music Camp in Interlochen, Michigan. Along with her husband, Dr. E. L. Lancaster, she has authored over 300 educational piano publications, most notably Alfred's Premier Piano Course and Music for Little Mozarts.

As a clinician and adjudicator, Dr. Kowalchyk regularly presents at major conferences including the Music Teachers National Association, Music Educators National Conference, National Group Piano Symposium, and World Piano Pedagogy Conference. She and her husband maintained a private piano studio in Norman, Oklahoma from 1981 to 1996. Based in the Los Angeles area, she continues her work as a clinician for Alfred Music.
E. L. Lancaster
Dr. E. L. Lancaster spent nearly two decades at the University of Oklahoma, where he held the rank of Professor of Music from 1979 to 1998. During his tenure, he taught piano pedagogy and oversaw the group piano program while serving as an adjunct piano faculty member at California State University, Northridge. He earned his undergraduate degrees from Murray State University and the University of Illinois, followed by a Ph.D. from Northwestern University.

At Oklahoma, Dr. Lancaster founded the master's and doctoral programs in piano pedagogy in 1980 and mentored more than 50 doctoral students in this specialty. He also directed the Piano Pedagogy Laboratory Program, which provided pre-college instruction through combined group and private lessons. From 1981 to 1996, he and his wife, Dr. Gayle Kowalchyk, operated a substantial independent piano studio in Norman. His teaching excellence earned him the Regents Award for Superior Teaching (1984), Associated Distinguished Lectureship (1987), Provost's Outstanding Academic Advising Award (1996), and Outstanding Faculty Award in the College of Fine Arts (1996). In 1991, he received the David Ross Boyd Professorship, which recognizes faculty who excel in teaching and student mentorship.

Beyond his academic career, Dr. Lancaster served as Executive Editor for Piano at Alfred Music and held several leadership positions within music education organizations. He served as National Chairman of Group Piano and National Chairman of Student Chapters for MTNA, and chaired the 2020 MTNA National Conference. Phi Mu Alpha Sinfonia named him a Signature Sinfonian in 2013, and Murray State University honored him with the 2014 Distinguished Alumnus Award.

Why we love this

The narrative structure transforms a traditional recital into storytelling theater, keeping young audiences engaged while letting students perform in a genuine performance context. The carefully sequenced pieces reinforce exactly what students have learned in the parallel lesson book, making this recital collection feel like a natural next step rather than separate repertoire. The folk tune duets in the second section train listening and ensemble awareness in a playful way that young pianists actually enjoy.

What to expect

The imaginative world of Beethoven Bear and Mozart Mouse makes these pieces feel like chapters in an adventure rather than technical exercises. Young pianists experience the genuine pride of performing meaningful music on stage while the unfolding story keeps their younger audience members captivated. The folk tune duets have a warm, accessible quality that invites careful listening and playful interaction between student and teacher.

Who it's for

This book is for early elementary students in their first year of piano study who have completed Music Lesson Book 1 and are ready to perform in an actual recital setting. It works equally well for preschool students advancing through the Music for Little Mozarts sequence. Teachers looking for a complete, story-driven recital program that doubles as continued skill reinforcement will find this especially valuable.

How to get the most out of it

  • Assign the narrator role to a confident reader (a parent, older sibling, or teacher works well) so students can focus entirely on their playing without managing the story.
  • During rehearsals, have students listen to the duet recordings or play the duet parts yourself before they attempt entrance cues; this builds the listening skills the folk tunes are designed to develop.
  • Keep the staging simple: a music stand for the narrator, the piano positioned so the audience can see the young performers' faces, and perhaps simple props or costumes tied to the Beethoven Bear and Mozart Mouse characters if your students enjoy that level of engagement.

How to use it

Program this as a complete spring recital for an early elementary piano class, inviting families to enjoy the storybook performance format. You might also program individual pieces from the first section as student performances at monthly studio gatherings, moving through the story over several events. The duet pieces make excellent addition to a summer recital or end-of-year showcase where students can demonstrate their listening and collaboration skills alongside solo playing.

Skills your students will build

  • Recognizing and entering at correct moments while listening to accompaniment
  • Performing in an ensemble context with a teacher or parent duet partner
  • Applying lesson book concepts to new, unfamiliar pieces
  • Sustaining focus and accuracy in a public performance setting
  • Listening carefully to identify folk tune melodies and respond with their own part

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