Music for Children - Choral Suite 1 (arr. Susan Brumfield) Sheet Music Preview

Music for Children - Choral Suite 1 (arr. Susan Brumfield): Choral Instrumental Pak

By Carl Orff / Arranged by Susan Brumfield

Item: 35-PK01480130

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Description
Three short selections from the Orff-Schulwerk Music for Children combine to create a delightful choral suite for children's chorus. Perform with piano or the original Orff accompaniments, it includes: Girls and Boys Come Out To Play, Cradle Song, Dance Lassie Do.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01480130

More about this title

About the Composer: Carl Orff

Carl Orff revolutionized music education by creating a pedagogical system that places rhythm, melody, and movement at the center of learning. His Music for Children collection, developed in collaboration with Gunild Keetman, emerged from decades of experimentation with instruments, folk songs, and ensemble playing in German schools. Orff believed that music education should begin with the voice and simple percussion before progressing to more complex instrumental work, a philosophy that shaped music curricula worldwide.

The Orff-Schulwerk approach treats children as active musicians from day one, not passive listeners waiting to be "ready" for real music. By pairing accessible melodies with authentic instruments and collaborative ensemble work, Orff created a system where every student could participate meaningfully. His influence extends far beyond the classroom; educators continue to adapt his materials and methods because they work.

Why we love this

Brumfield's arrangement respects the pedagogical integrity of Orff's original material while making it accessible to singers who want the joy of performing real compositions rather than exercises. These three selections sit comfortably for young voices, and the flexibility to use either piano or Orff instruments means you can adapt to what your program actually has available. The suite moves between cultures and moods, giving you a complete 10-minute program that feels substantial without being overwhelming.

What to expect

These selections carry the openness and directness of folk traditions across cultures. There's an easiness to the writing that invites singing, free from awkward ranges or rhythmic gymnastics; the music sounds like it exists naturally rather than being assembled for pedagogical reasons. You'll hear children discovering that simple melodies can be genuinely satisfying to perform.

Who it's for

Elementary and middle school choirs looking for repertoire that honors both young singers' abilities and their musicality. Teachers implementing or reinforcing Orff-Schulwerk principles will find this arrangement bridges songbooks and concert performance beautifully.

How to get the most out of it

  • Keep the pulse steady and let the Orff instruments shine if you're using them; they carry rhythmic clarity that piano alone sometimes obscures. The percussion parts are not decorative.
  • Shape each selection according to its character: rhythmic vitality in the first piece, gentle rocking motion in the Cradle Song, and energetic dance propulsion in the finale. Don't let them blur together.
  • Balance the melody line so text remains clear without shouting. Young singers often over-sing folk material when they're excited about it.
  • If performing with Orff instruments, rehearse at least one full run-through with the actual ensemble; recorded accompaniments can mask coordination issues that emerge with live percussion.

How to use it

Include this suite as a complete segment in a spring or fall concert, especially if your program features Orff instruments alongside traditional ensembles. The three contrasting pieces work as a mini-recital, demonstrating different facets of your students' capabilities without requiring additional arrangements of single selections.

Skills your students will build

  • Intonation in unison and simple two-part writing
  • Rhythmic independence when singing against steady Orff accompaniments
  • Text clarity and natural phrasing in folk melodies
  • Listening to and responding to percussion ensemble balance
  • Sustained legato singing in the Cradle Song contrasted with rhythmic precision elsewhere

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