Music for Children: 12 Easy Pieces Op. 65 (Musik für Kinder) Cover Image

Music for Children: 12 Easy Pieces Op. 65 (Musik für Kinder): Piano Solo

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Music for Children: 12 Easy Pieces Op. 65 (Musik für Kinder) Cover Image

Music for Children: 12 Easy Pieces Op. 65 (Musik für Kinder): Piano Solo

By Sergei Prokofiev

Item: 98-EP4720

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Description
Prokofiev's Music for Children: 12 Easy Pieces Op. 65 feature pictures set to music about time (The Morning, The Evening) and landscape (Rain and Rainbow, Round Dance of Crickets, Crescent Moon Hovers over the Meadow), children's scenes (Little Fairy Tale, Remorse, Children's Game) and dance movements (Tarantella, Waltz, March).

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Additional Details
Publisher: Edition Peters
Page Count: 28
ISBN10: 0-577-02427-2
ISBN13: 979-0-577-02427-1
UPC: 9790577024271
SKU: 98-EP4720

More about this title

About the Composer: Sergei Prokofiev

Sergei Prokofiev (1891, 1953) was a Russian composer whose music bridges the 19th and 20th centuries with striking originality. Known for his bold harmonies, rhythmic drive, and ability to write for virtually every medium, Prokofiev composed ballets, operas, symphonies, and film scores that challenged conventions while remaining deeply musical.

Prokofieff's pedagogical works reveal a composer who understood young musicians intimately. Music for Children demonstrates his gift for creating pieces that are genuinely easy to play yet never condescending in their musical content. Each piece stands alone as a complete musical thought, making this collection invaluable for teachers seeking repertoire that respects students' intelligence while building technical confidence.

Why we love this

These twelve pieces live in the rare space where accessibility and artistry coexist without compromise. Prokofiev gives students real compositional ideas to inhabit, unexpected harmonic colors, propulsive rhythms, and narrative clarity, rather than empty finger work. The programmatic titles invite students to bring character and imagination to every phrase, transforming practice into storytelling.

What to expect

Prokofiev's world is one of vivid images and clear emotions, rarely sentimental but always direct. These pieces sparkle with harmonic color and rhythmic energy; even the quieter moments ("Remorse," "The Evening") carry an unsettling sophistication. Students experience music that treats them as thinking musicians rather than technicians.

Who it's for

Early intermediate pianists (typically grades 2, 3) ready to move beyond purely technical studies into repertoire with genuine character. Teachers seeking alternatives to standard method book recital pieces will find twelve different emotional and musical landscapes to explore.

How to get the most out of it

  • Let the titles guide interpretation. "The Morning" and "The Evening" aren't just atmospheric, they require different colors and energy. Encourage students to imagine the specific time of day and how that shapes tempo and touch.
  • Pay attention to Prokofiev's dynamic markings and articulation. The seemingly simple notation contains the entire character of each piece; skipping details flattens the music.
  • Balance melodic line with harmonic clarity, especially in pieces where the harmony does unexpected work. The supporting voices should be heard but never overshadow the primary melody.
  • Consider the dance pieces (Tarantella, Waltz, March) as opportunities to explore style and rhythm. These aren't salon pieces, they're modern takes on traditional forms with Prokofiev's signature wit.

How to use it

Select individual pieces for student recitals or use the entire collection as a unifying theme across a season of lessons. These work beautifully in youth concerts celebrating 20th-century music, or as contrasting items alongside Baroque and Romantic repertoire. Several pieces pair naturally with chamber or ensemble activities if you want to extend their use.

Skills your students will build

  • Reading sharps and flats consistently across varied key signatures
  • Controlling dynamic range and articulation to shape character
  • Playing rhythmic patterns with precision (march rhythms, dance meters)
  • Balancing melody and accompaniment
  • Interpreting programmatic content through musical choices
  • Pedaling selectively to color harmony without blurring
  • Understanding harmonic function in 20th-century tonality

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