Multnomah (Legend of the Falls): Trombone 1
Legend of the Falls
By William Owens
Grade: 2.5
Item: 98-PC-DB1813_TN1
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About the Composer: William Owens

William Owens, born in Gary, Indiana in 1963, brings three decades of classroom experience to his compositional work. A VanderCook College of Music graduate (1985), he has authored over 300 pieces for concert band, string orchestra, and chamber ensembles since 1993, earning recognition through ASCAP membership, commissions from major organizations including the American Bandmasters Association, and designation as a Distinguished Alumnus of his conservatory. His pragmatic approach to young band writing has made his music a staple on festival required lists and in music education curricula across North America.
Owens served as a band director in Texas for 30 years before his 2014 retirement, giving him intimate knowledge of what works in the rehearsal room. His contributions have been acknowledged through the Texas Bandmasters Association's Meritorious Achievement Award and consistent programming by student ensembles at all levels. He currently resides in Fort Worth with his wife Georgia.
Why we love this
Owens crafts narratives through music with clear melodic lines and harmonic support that let Grade 2.5 musicians tell a compelling story without technical overwhelm. The piece uses the Indigenous legend of Multnomah Falls to build cultural awareness while delivering genuine emotional impact—students feel the weight of the princess's sacrifice through accessible but dignified orchestration. Programming this introduces your band to a composer whose three-decade teaching career means every note serves both the music and the learner.
What to expect
The music unfolds with reverent, expressive melodies that honor a story of sacrifice and heroism. Orchestration choices emphasize clarity and warmth rather than complexity, allowing the emotional landscape to emerge through poignant harmonic movement and sustained phrases that encourage mature phrasing from younger players.
Who it's for
This work fits bands in Grades 4-6 seeking repertoire that balances technical accessibility with narrative depth and cultural significance. Directors programming concert or festival settings will find a piece that engages young musicians emotionally while honoring Indigenous perspectives, and students gain experience with music that conveys human themes beyond purely technical challenges.
How to get the most out of it
- Honor the poignant character of the central melodic material by maintaining consistent breath support and phrase shape, even in passages that might seem straightforward on the page.
- Balance the harmonic progressions carefully; Owens uses relatively simple voicings to create soul-stirring effects, so clarity among sections becomes essential to revealing the emotional arc.
- Allow younger musicians to understand the narrative context before rehearsal begins, so expressive choices feel grounded in storytelling rather than arbitrary.
- Resist over-interpreting the piece; the accessibility of Grade 2.5 writing means the composition itself guides pacing and character when sections play with unified ensemble consciousness.
How to use it
Position this as a feature work in a concert exploring American themes, Indigenous cultures, or stories of courage. The Grade 2.5 level and emotional maturity make it equally suitable for a festival performance or as the centerpiece of a thematic concert pairing cultural education with musical growth.
Skills your students will build
- Sustained phrasing and breath management across longer melodic lines
- Listening for harmonic balance and ensemble blend
- Expressive playing grounded in narrative and emotional context
- Respect for cultural sources and perspectives through music
- Dynamic control and tone quality at Grade 2.5 instrumental facility