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Mozart: Sonatas for One Piano, Four Hands: Piano Duet (1 Piano, 4 Hands) Book

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Mozart: Sonatas for One Piano, Four Hands Cover Image

Mozart: Sonatas for One Piano, Four Hands: Piano Duet (1 Piano, 4 Hands) Book

By Wolfgang Amadeus Mozart / ed. Charles Timbrell

Level: Advanced

Item: 00-39487

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Description
Mozart's four sonatas for one piano, four hands, are the first important works in the piano duet literature. This carefully researched edition contains historical information, in-depth notes on performing Mozart's piano music, editorial fingering and metronome marks, as well as realizations of many ornaments. Titles: Sonata in D Major, K. 381 (123a) * Sonata in B-flat Major, K. 358 (186c) * Sonata in F Major, K. 497 * Sonata in C Major, K. 521.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 188
ISBN10: 0-7390-9171-9
ISBN13: 978-0-7390-9171-5
UPC: 038081443140
SKU: 00-39487

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose prolific output across every major genre established the Classical style as we know it. His works for piano, from early sonatas to the late concertos, remain central to the repertoire and continue to shape how musicians understand keyboard writing, harmonic clarity, and melodic invention.

Why we love this

These four sonatas anchor the entire piano duet tradition and deserve a place in any serious pianist's experience. This Masterwork Edition supplies the scholarly apparatus that makes Mozart's intentions clear: historically informed fingering, metronome marks, ornament realizations, and performance notes that go beyond surface-level instruction. Players encounter both the musical sophistication of the late 18th century and the collaborative joy that makes four-hand playing so rewarding.

What to expect

Mozart's four-hand sonatas sparkle with elegant dialogue and conversational phrasing. The writing balances technical brilliance with transparent textures that let both players feel equally engaged; there is genuine musical substance beneath the galant surface, with harmonic surprises and developmental moments that reward careful attention.

Who it's for

Advanced pianists preparing for duet recitals or chamber music competitions will find essential classical repertoire in depth. Teachers using Mozart's duets to develop partnership and listening skills in advanced students benefit from the scholarly context and clear performance guidance included here.

How to get the most out of it

  • Attend closely to the editorial metronome marks as starting points; Mozart's notation of tempo was less precise than later composers, and these marks help establish historically informed pacing.
  • Balance the distribution of melody between primo and secondo rather than assuming the top staff carries the primary voice throughout; Mozart frequently moves thematic material between parts.
  • Realize the ornaments (trills, turns, grace notes) as notated in this edition before performance, since historically informed execution differs from later Romantic practice.
  • Coordinate dynamic changes across both parts so that terraced forte and piano passages land together, preserving the Classical aesthetic even when one player temporarily moves to a different dynamic level.

How to use it

Feature these sonatas on chamber or collaborative recitals, or program one alongside Mozart concertos or symphonic excerpts to establish the breadth of his keyboard writing. In an educational setting, cycle through the four sonatas across a season as students advance through intermediate-to-advanced repertoire, using each work to deepen understanding of Classical form and two-player coordination.

Skills your students will build

  • Balance and independence between primo and secondo voices
  • Reading 18th-century ornament notation and executing period-appropriate realization
  • Coordinating pedal changes and dynamic shifts across two players
  • Understanding Classical phrase structure through dialogue and call-and-response writing
  • Ensemble listening and rhythmic alignment in fast passagework

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