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Movie Trios for All: B-flat Clarinet, Bass Clarinet Book

$7.95 USD
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Movie Trios for All Cover Image

Movie Trios for All: B-flat Clarinet, Bass Clarinet Book

Playable on Any Three Instruments or Any Number of Instruments in Ensemble

Arr. Michael Story

Item: 00-33527

$7.95
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Description
A versatile, fun series intended for like or mixed instruments to perform in any combination of instruments, regardless of skill level. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Believe * As Time Goes By * Can't Fight the Moonlight * How the West Was Won (Main Title) * If I Only Had a Brain * Nimbus 2000 * You've Got a Friend in Me * Mamma Mia * Batman Theme * Cantina Band * Imperial March * James Bond Theme * Theme from Ice Castles (Through the Eyes of Love * You're the One That I Want * Raiders March.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-6316-2
ISBN13: 978-0-7390-6316-3
UPC: 038081373249
SKU: 00-33527
Instrumentation: B-flat Clarinet, Bass Clarinet

More about this title

About the Arranger: Michael Story

Michael Story is a prolific composer and arranger whose work spans educational wind band, orchestral, and chamber music contexts. His arrangements prioritize accessibility without sacrificing musicality, making him a trusted voice in music education for ensembles seeking quality repertoire that serves multiple skill levels simultaneously.

Why we love this

Story's arrangements capture the essential character of each film theme while building in genuine flexibility. Rather than a lowest-common-denominator approach, each line offers musical substance; younger players stay engaged while advanced players find rewarding material, all without slowing rehearsal or fracturing ensemble sound.

What to expect

These arrangements bring cinematic warmth and narrative momentum to the clarinet family. Whether you're sliding into the smooth nostalgia of "As Time Goes By" or charging through the heroic swagger of the "Imperial March," the music carries you forward with the same storytelling clarity audiences recognize on screen.

Who it's for

Mixed-level clarinet sections looking for engaging trio literature that doesn't require separate rehearsal tracks. Chamber ensembles and family recital groups benefit equally, since students can perform any trio combination as schedules allow. This book also serves audition preparation, offering short, recognizable pieces that showcase control across registers.

How to get the most out of it

  • Balance the Grade 1 and Grade 3–4 lines carefully during ensemble rehearsals. The higher line should support but not overshadow the foundational part, especially in melodic moments where the lower voices carry the tune.
  • Align articulation across both clarinet voices before addressing dynamics. These arrangements rely on unified tonguing to achieve the rhythmic precision movie themes demand.
  • Use the written score format to your advantage: sit players at a single music stand when possible, so both voices track each other's entrances and releases without conductor dependency.
  • Explore the timbral possibilities of pairing B-flat clarinet with bass clarinet. These duos work best when the upper voice remains bright and the bass line maintains clarity rather than sitting in the lowest register.

How to use it

Program individual trios as concert fillers, pops concert standouts, or family recital closers. The recognizable titles invite audience engagement while the Grade 1–2 material builds confidence for developing players. A full performance of several trios creates a cohesive movie music set without overwhelming rehearsal demands.

Skills your students will build

  • Reading multiple staves simultaneously and tracking ensemble balance between parts
  • Blending B-flat and bass clarinet timbres across a two-octave range
  • Maintaining musical direction through short, thematic phrases borrowed from film scores
  • Coordinating articulation and dynamics in mixed-ability ensembles
  • Transposition awareness between B-flat clarinet and bass clarinet parts

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