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Move: Jazz Ensemble Conductor Score & Parts

As performed by Miles Davis / Arranged by Mike Tomaro

Grade: 4

Item: 35-PK00311839

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Description
Recorded by Miles Davis on his landmark album "Birth of the Cool", this jazz standard was composed by Denzil Best using the same chord changes as Count Basie's "Jumpin' at the Woodside". This exciting chart features an uptempo swing style, along with a fabulous soli for the saxes.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00311839

More about this title

About the Artist: Miles Davis

Miles Davis stands as one of the most consequential figures in jazz history, a trumpeter whose relentless innovation shaped the sound of modern jazz across seven decades. His willingness to explore new harmonic territories and collaborate with composers and arrangers of the highest caliber earned him a central place in jazz education, where his recordings remain essential listening for understanding how the language of jazz evolved.

Why we love this

Mike Tomaro's arrangement captures the cool sophistication of Davis's original concept while giving your ensemble room to swing hard and build momentum. The saxophone section soli are genuinely fun to play and satisfying to hear, and the chart sits at a manageable difficulty level that doesn't sacrifice musicality or style.

What to expect

Suave, forward-moving, and undeniably cool. The piece swings with the kind of effortless confidence that defined Davis's best work, combining melodic clarity with harmonic sophistication and giving the whole ensemble moments to shine together.

Who it's for

Jazz ensemble directors seeking Grade 4 material that connects students to genuine jazz history and high-quality arranging. This works equally well for groups that need a strong contender for a concert program and for ensembles building familiarity with standards and their variations.

How to get the most out of it

  • Establish the groove pocket early in rehearsal by isolating the rhythm section for several run-throughs; the swing feel here needs to breathe, not rush.
  • Balance the sax soli carefully so the soloists cut through without the section overpowering them; this is where ensemble discipline pays off.
  • Reference the Miles Davis recording to absorb the articulation and phrasing conventions of the original; hearing it modeled by the master sets the interpretive standard.
  • Keep the tempo steady and relaxed, even as the energy builds; uptempo swing that races ahead loses its cool factor fast.

How to use it

Pair this with other jazz standards or contemporary jazz charts to build a cohesive set that showcases your ensemble's breadth. It also works beautifully as a centerpiece in a concert exploring the evolution of jazz composition, positioned alongside earlier swing era pieces and more modern approaches.

Skills your students will build

  • Swing articulation and phrasing in a jazz context
  • Ensemble balance within soli passages
  • Listening to and internalizing recorded jazz tradition
  • Reading and executing jazz chord charts and rhythmic figures
  • Maintaining steady tempo and groove awareness across multiple sections

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