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Mother Goose (Ma Mere L'oye, complete ballet): Conductor Score

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Mother Goose (Ma Mere L'oye, complete ballet) Cover Image

Mother Goose (Ma Mere L'oye, complete ballet): Conductor Score

By Maurice Ravel / arr. Clinton Nieweg, Nancy Bradburd

Item: 36-A668701

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Description
Maurice Ravel (1875-1937) originally wrote Ma mère l'Oye (Mother Goose) in 1910 as a piano duet for the Godebski children, Mimi (6) and Jean (7). In 1911, Ravel orchestrated the work into a five-piece suite, which is how the work is most commonly heard today. But later in that same year, he also expanded the work into a ballet adding interludes between each tableau and two more movements to the start. The ballet premieres on January 29th, 1912, at the Théâtre des Arts in Paris. Instrumentation: 2(2dPicc).2(2dEH).2.2(2dCBsn: 2.0.0.0: Timp.Perc(5-6): Hp.Clst: Str (4-4-3-3-3).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 1-63887-753-X
ISBN13: 978-1-63887-753-0
UPC: 660355029127
SKU: 36-A668701
Instrumentation: 2(2dPicc).2(2dEH).2.2(2dCBsn: 2.0.0.0: Timp.Perc(5-6): Hp.Clst: Str (4-4-3-3-3)

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) stands among the most exacting orchestrators in the concert repertoire. His approach to instrumental color was scientific and deliberate; he composed at the piano but thought orchestrally from the outset, treating each instrument family as capable of expressing distinct harmonic and textural ideas. His fascination with timbre, combined with his mastery of formal structure, made him a natural choice for ballet commissions, where dramatic clarity and sonic sophistication serve the stage equally.

Ravel's evolution of Mother Goose across three incarnations (1910 piano duet, 1911 orchestral suite, 1911-1912 ballet) reveals his compositional philosophy: a musical idea strong enough to sustain multiple treatments without losing its character. The ballet version, with its added interludes and movements, deepens the work's narrative scope while preserving the childhood innocence that makes the piano duet so enduring in teaching studios worldwide.

Why we love this

Ravel's orchestration is a masterclass in precision and imaginative color, making this conductor score essential study for anyone serious about understanding how instrumental choices shape musical meaning. The ballet's expansion beyond the familiar five-movement suite gives performers and audiences fresh material while honoring the work's origins, and Ravel's transparency of texture means every musician has something genuinely interesting to do. This is repertoire that rewards meticulous preparation and pays back that effort in spades during rehearsal.

What to expect

Ravel's ballet unfolds like a succession of illustrated pages in a storybook, each tableau drawn in gossamer orchestration and jewel-like instrumental combinations. The music feels both delicate and architecturally secure, moving between whimsy and darker fairytale moments with fluid ease; the added interludes create breathing room that deepens the narrative arc while maintaining the work's essential charm.

Who it's for

This conductor score serves chamber orchestras, university orchestras, and professional ensembles capable of fielding the full instrumentation and comfortable with Impressionistic scoring practices. Conductors familiar with Ravel's other theatrical works or seeking a full-length ballet that remains accessible to intermediate-to-advanced players will find this version of Mother Goose rewarding to study and lead.

How to get the most out of it

  • Establish clarity in the string balances early; Ravel's textures depend on hearing each line distinctly, especially when violas and cellos carry inner voices beneath the violin melody.
  • Use the harp and celeste not as mere color but as structural anchors that ground harmonic shifts; these instruments often mark important tonal or textural transitions.
  • Shape the interludes (added for the ballet) with the same architectural care you bring to the tableaux themselves; they are not mere connectors but integral to the dramatic pacing.
  • Let the five to six percussionists sit balanced; the scoring calls for careful coordination between timpani, pitched percussion, and ensemble strikes that can muddy quickly if not rehearsed with precision.

How to use it

Program this as the centerpiece of an Impressionistic or early twentieth-century concert, either paired with shorter Ravel orchestral works or as the focal point of a ballet-themed program. The ballet format and moderate length make it ideal for orchestra concerts with dance collaboration or for showcasing an ensemble's range in repertoire from the art-song tradition to full theatrical production.

Skills your students will build

  • Reading and balancing exposed chamber textures across multiple instrumental choirs
  • Interpreting Impressionistic harmonic language and understanding how orchestration generates harmonic color
  • Conducting theatrical pacing and the relationship between instrumental color changes and dramatic intent
  • Coordinating percussion (5-6 players) with precision timing and dynamic control
  • Rehearsing transparent string writing where inner voices and counter-melodies must be heard

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