Mother Goose: Five Pieces for Children (Ma Mere L'oye) Cover Image

Mother Goose: Five Pieces for Children (Ma Mere L'oye): Conductor Score

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Mother Goose: Five Pieces for Children (Ma Mere L'oye) Cover Image

Mother Goose: Five Pieces for Children (Ma Mere L'oye): Conductor Score

By Maurice Ravel / arr. Nancy Bradburd

Item: 36-A639201

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Description
Maurice Ravel’s (1875-1937) Ma mère l’Oye (“Mother Goose”) draws its inspiration from the fairy tales of Charles Perrault, Madame d’Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the first movement “Pavane de la Belle au Bois Dormant” in September of 1908, and after some encouragement from his publisher Jacques Durand, the remaining four movements were added between 1908 and 1910. The piece sought to both be performable by children and also to reflect the world of childhood. Dedicated to the two children of his friends the Godebskis, Ravel intended for them to premier the piece. However, when the piece proved too difficult for the pair, it was instead premiered at a concert in the Salle Gaveau in 1910 by 11-year old pianist Jeanne Leleu and 14-year old Geneviève Durony. In 1911, Ravel wrote an orchestral version of the suite, which became the basis of the ballet which was performed in January 1912. Instrumentation: 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852091-0
ISBN13: 979-8-88-852091-8
UPC: 660355054792
SKU: 36-A639201
Instrumentation: 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set)

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) was a French composer whose fastidious approach to orchestration and harmonic innovation shaped early twentieth-century concert music. Though often grouped with the Impressionists, Ravel resisted the label, preferring to be known for his precise craftsmanship and architectural clarity. His gift for orchestral color and his ability to write music that delighted both children and adults made him one of the most frequently performed composers in educational settings.

Ravel's piano works, orchestrations, and ballets remain central to the concert repertoire. He brought the same attention to detail to children's music as he did to concert pieces, creating works that respect young performers' abilities while maintaining genuine artistic substance. His influence on how composers approach writing for younger audiences continues to resonate across music education.

Why we love this

Ravel's orchestration in Mother Goose rewards careful study of the score. Each fairy tale movement unfolds with transparent instrumentation that reveals orchestral voice leading without obscuring it, making this an ideal teaching score for conductors learning to balance a full orchestra. The ballet context gives the music theatrical stakes while the source material grounds every musical gesture in narrative clarity.

What to expect

The music evokes the world of French fairy tales with delicacy and humor, moving from the sleeping beauty's gentle dream through conversations between beasts, conversations between princes, and finally a whimsical garden scene. Colors shift constantly; no two pages sound quite alike, yet the whole suite feels unified by Ravel's fingerprints on every orchestral combination.

Who it's for

This conductor score serves orchestral conductors preparing a full orchestra performance, whether for concert or ballet production contexts. It is equally valuable for conductors studying Ravel's orchestration technique and for programs introducing students to impressionistic orchestral writing through a suite that remains engaging and narratively clear.

How to get the most out of it

  • Study the harp and celesta parts first. These instruments carry the harmonic and coloristic heart of the suite; their clarity determines whether the delicate orchestral tapestry reads or muddies.
  • Conduct phrase architecture rather than individual measures. Mother Goose moves through longer arcs of rising and falling action that mirror the unfolding of each fairy tale.
  • Balance string doublings carefully. With nine first violins, eight seconds, and substantial inner voices, the temptation to thicken is real; let transparency show Ravel's orchestral wit.
  • Establish precise ensemble between woodwinds and strings in the opening Pavane. The magic happens when these families speak as one voice, not competing layers.

How to use it

Mother Goose works equally well as the centerpiece of a ballet production or as a concert suite within a broader program exploring early twentieth-century orchestral music. It pairs naturally with other Ravel works or with contemporary French and Spanish composers. The clear five-movement structure allows you to program the entire suite or select individual movements for shorter concerts.

Skills your students will build

  • Reading complex orchestral scores with divisi strings, multiple woodwind doublings, and harp/celesta parts
  • Balancing transparency across full orchestra without reducing dynamic range
  • Conducting music that combines harmonic innovation with narrative clarity
  • Interpreting impressionistic scoring and color change as structural markers
  • Managing ensemble between plucked instruments (harp, celesta) and sustained voices

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