Moszkowski: Six Pieces, Op. 31: Piano Book
By Moritz Moszkowski
Item: 00-PK-0003934
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Description
This Piano Collection by Moritz Moszkowski is from Alfred's Kalmus Catalog.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Moszkowski: Six Pieces, Op. 31: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
56
SKU:
00-PK-0003934
More about this title
About the Composer: Moritz Moszkowski
Moritz Moszkowski (1854, 1925) was a Polish-German pianist and composer whose gift for melody and technical brilliance made him one of the most performed composers of his generation. His output spans piano works, chamber music, and orchestral pieces, but he remains best known for compositions that balance genuine musical substance with genuine pianistic satisfaction. Moszkowski's writing consistently rewards careful practice with music that sounds far more difficult than it actually is.
Why we love this
These six pieces showcase Moszkowski's knack for writing music that sounds more difficult than it is, giving intermediate pianists immediate wins without overwhelming them. Each piece has genuine character and melodic appeal, so students actually want to practice them. They're compact enough to learn quickly but substantial enough to feel like real repertoire.
What to expect
These pieces breathe with the lyricism of the Romantic salon, full of elegant melodies and gentle virtuosity. There's a sense of understated refinement throughout; none of these works shout for attention, but each rewards close listening with harmonic warmth and unexpected coloristic moments.
Who it's for
Intermediate pianists who are comfortable with Romantic-era harmonic language and want to deepen their musicality through accessible yet artistically rich repertoire. This collection works equally well for students preparing for lessons, recitals, or auditions, and for adult pianists seeking fresh material that rewards expressive playing.
How to get the most out of it
- Attend to the phrasing markings closely; Moszkowski's melodies sing best when shaped with rubato and dynamic shape rather than metronomic precision.
- Balance the right-hand melody against accompaniment patterns in the left hand by listening for transparency rather than volume contrast.
- Use the tempo indications as starting points and adjust based on the technical passages; Moszkowski rewards clarity over speed.
How to use it
Program individual pieces from this collection on student recitals to add variety and European sophistication to a contemporary-heavy program. The shorter pieces work especially well as opener or closer to a recital, or paired with works by Schumann or Brahms to show stylistic continuity.
Skills your students will build
- Shaping long melodic lines with rubato and dynamic control
- Balance and independence between right and left hand voicing
- Romantic-era harmonic progression and modulation
- Pedal technique for sustaining color without muddying texture
- Rhythmic precision in flowing accompaniment patterns