Most People Are Good (arr. Ed Lojeski): SATB Choral Octavo

Ed Lojeski's arrangement captures the warmth and sincerity of the original without sacrificing the pop sensibility that makes this song so broadly appealing. Your singers will connect immediately to material they actually know and love, while the SATB voicing provides genuine harmonic interest rather than a simple transcription.

Optimistic and grounded, this arrangement carries the quiet conviction of its lyrical message without veering into sentimentality. There's a conversational warmth here that invites genuine connection rather than theatrical display.

Choirs looking to program contemporary pop material that appeals to singers and audiences alike will find this accessible and rewarding. The arrangement works for high school, community, and collegiate choirs seeking pieces with immediate emotional resonance and a message worth singing about.

• Balance the melody across sections thoughtfully; this song lives and dies on a clear, singing top line that feels conversational rather than operatic.
• Let the text shape your phrasing. The message of the song demands genuine delivery, so work with your singers to find moments where they breathe naturally and emphasize key phrases like 'most people are good.'
• Keep the accompaniment driving forward without rushing. The rhythm section foundation (real or recorded) should feel like it's propelling the piece forward steadily.

This works beautifully as a closing number on a pops concert or as part of a set exploring contemporary songwriting. The accessibility and positive message make it equally effective for community choral events where you want to include music that speaks directly to your audience's lives.

• Singing with clear diction in a contemporary pop style
• Balancing melody and harmony in close voicing
• Interpreting text to serve the emotional content of a song
• Maintaining rhythmic precision with rhythmic accompaniment patterns