Most People Are Good: Choral Instrumental Pak
As performed by Luke Bryan / Arranged by Ed Lojeski
Item: 35-PK00424288
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Description
Here is an easy, soft rock with a gentle back beat country song about many of the things that are good in this world. There is more good than bad. The ranges are excellent and will encourage your singers to sound great in this well crafted arrangement. Vocal sections are given room to shine. This is a real "feel good/ pick me up" song with a message that no one hears enough of.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00424288
More about this title
About the Artist: Luke Bryan
Luke Bryan has become one of country music's defining voices, consistently delivering anthems that resonate across radio formats and concert venues. His ability to write and perform songs with genuine emotional warmth has made him a fixture in modern country, and his catalog offers choir directors accessible material that connects with student singers who live in contemporary pop and country soundscapes.
Why we love this
Ed Lojeski's arrangement respects the song's core appeal without overcomplicating it. The vocal writing sits beautifully in accessible ranges, which means your singers can focus on delivering the message rather than wrestling with technical demands. Programming a song with genuine optimism in the current moment lands powerfully.
What to expect
Warm and assured. The arrangement carries the gentle, grounded quality of country songwriting while the soft rock instrumentation keeps it from feeling too traditional. Singing this makes your ensemble feel connected to something hopeful.
Who it's for
Directors looking for contemporary material that feels current without sacrificing musicality. This works for mixed groups of intermediate singers who benefit from accessible ranges and straightforward harmonic writing.
How to get the most out of it
- Balance the back beat so it drives without overwhelming the vocal line. The rock and country groove only works if the rhythm section serves the singers.
- Shape the phrasing to let the lyrics land. This song's message depends on clarity and warmth, not speed or aggression.
- Use dynamics to create movement through the form. Softer verses that build toward fuller choruses will keep the arrangement from feeling one dimensional.
- Ground the ensemble sound in the middle voices. A solid alto and tenor foundation lets your soprano and bass parts breathe more freely.
How to use it
Consider this for spring concerts where you're balancing serious repertoire with songs that celebrate joy and community. It pairs well alongside pop arrangements or standard show tunes, offering a contemporary voice without disrupting program flow.
Skills your students will build
- Singing with a contemporary rock and country groove
- Blending vocal parts in accessible ranges without strain
- Delivering clear diction through a pop-influenced arrangement
- Responding to a steady back beat while maintaining vocal independence