More Than You Know: Jazz Ensemble Conductor Score & Parts
Words and music by Billy Rose, Edward Iliscu, and Vincent Youmans / arr. Ryan Fraley
Item: 98-DHX9032
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About the Composer: Monika Herzig

Monika Herzig arrived in the United States in 1988 with a suitcase, a guitar, and a one-way ticket. What began as a scholarship exchange from Germany's Weingarten pedagogical institute evolved into a permanent move and a remarkable career spanning performance, education, and music advocacy. She earned her doctorate in Music Education with a jazz minor from Indiana University, where she now serves as faculty in Arts Administration.
As a bandleader and touring artist, Herzig has performed at venues including Birdland, Cleveland's Nighttown, and major jazz festivals across North America and Europe. Her ensembles have opened for Tower of Power, Sting, and Yes, while her own recordings span more than a dozen releases on independent labels. She authored two books examining jazz legacies (David Baker and Chick Corea), received a Down Beat Magazine Award for Best Original Song in 1994, and was honored as a Jazz Journalist Association Hero in 2015. Her latest project, "SHEroes," celebrates leading female jazz instrumentalists from around the world.
Why we love this
Herzig understands the jazz ensemble from the inside out, and that expertise shows in every detail of this arrangement. The fusion concept isn't grafted on top of the standard; it's woven into the orchestration itself with genuine compositional voice. Your students will be energized by the modern production sound and the sheer fun of playing something that feels current and unexpected.
What to expect
Imagine a jazz standard colliding with modern rock production. Sharp, crunchy textures from the guitar sit alongside soaring horn lines and a rhythm section that can shift from swagger to pure drive. It's playful and unpredictable without ever losing the jazz vocabulary underneath.
Who it's for
Ensembles with intermediate to advanced players who are ready for something beyond standard jazz fare. Your group needs secure rhythm section players and solid lead trumpet reading, but the payoff is a chart that feels genuinely contemporary and keeps rehearsal energy high.
How to get the most out of it
- Balance the metal edge in the guitar riffs against the horn voicings so the ensemble maintains clarity and definition rather than becoming a wall of sound.
- The optional double bass drum part transforms the groove completely. Commit fully if you use it; half-hearted execution will undercut the whole aesthetic.
- Lock section leaders on the quirky rhythmic twists before the ensemble rehearsal. These unexpected moments are what make the piece memorable, not obstacles to gloss over.
- Track the trumpet line up to that C6 in context; map out breathing points early to prevent strain and ensure the high passages land as intended rather than sounding forced.
How to use it
This works beautifully as a second-half opener when you want to shift the mood and signal that your program won't be entirely traditional. Pair it alongside a more standard big band chart to highlight how jazz continues to evolve, or program it near concert's end when your ensemble is warmed up and confident enough to take risks.
Skills your students will build
- Reading and executing syncopated rhythms across fusion-hybrid meters
- Balancing articulation and dynamics in contemporary ensemble textures
- Executing high trumpet passages with secure intonation and endurance
- Responding to irregular harmonic structures and unexpected phrase endings
- Maintaining groove and pocket awareness while managing complex orchestrations