More Graded Studies for Flute, Book Two Cover Image

More Graded Studies for Flute, Book Two: Flute Book

$13.99 USD
Sale price  $13.99 USD Regular price 
Skip to product information
More Graded Studies for Flute, Book Two Cover Image

More Graded Studies for Flute, Book Two: Flute Book

Flute Study Repertoire with Supporting Simultaneous Learning Elements

By Sally Adams and Paul Harris

Item: 12-0571539297

$13.99
Shipped

One moment…

Description
More Graded Studies for Flute, Book Two highlight study repertoire from established flute composers alongside exciting new material not seen before, plus specially composed studies by Sally Adams, Paul Harris, and others. Each study lists its key ingredients and invites players at grades 1 to 4 to consider additional key elements as well. This enables teachers and students to link the studies to their current repertoire and technical work in a truly simultaneous learning way.

More Graded Studies for Flute, Book Two: Flute Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53929-7
ISBN13: 978-0-571-53929-1
UPC: 9780571539291
SKU: 12-0571539297

More about this title

About the Author: Sally Adams

Sally Adams is a respected flute pedagogue and composer whose work centers on making technical study engaging and musically rewarding for young players. Her contributions to method books and study collections have shaped how generations of flutists approach fundamentals, always anchoring technique to musicality rather than mechanics.

Why we love this

This collection bridges the gap between isolated technical exercises and real repertoire by embedding each study in a musical context. The pairing of established composers with fresh material means students encounter both trusted reference points and surprises, keeping their practice sessions from feeling formulaic. The built-in reflection prompts encourage players to own their technical goals rather than simply execute them.

What to expect

Purposeful without being academic. Each study has a distinct character that makes it feel like a short piece rather than a technical chore. There's an invitation to curiosity woven throughout, encouraging players to notice what they're building and why.

Who it's for

Intermediate flutists working at grades 1 to 4 who benefit from structured study material that connects directly to their repertoire goals. Teachers managing mixed-level studio classes or band programs will find this collection particularly valuable for simultaneous skill-building across technical and musical domains.

How to get the most out of it

  • Connect each study's listed key ingredients to the pieces your students are currently learning. When a study targets articulation clarity, have them apply that same focus to a parallel passage in their solo repertoire.
  • Read the additional key elements suggestions before assigning a study. These extensions prevent a study from feeling complete after one playthrough and deepen retention.
  • Rotate between different composers within the book over several weeks. The variety in compositional voice keeps motivation high and exposes students to different musical personalities.

How to use it

Assign studies sequentially as part of regular lesson planning, timing them to align with the technical demands of concert or solo repertoire. This collection works especially well for students preparing for chair placements or competitions, since the graded progression lets you build sophistication steadily without gaps.

Skills your students will build

  • Articulation control and clarity across different tonguing patterns
  • Chromatic pitch accuracy in mid to high register
  • Intervallic reading and intonation awareness
  • Rhythmic precision in mixed meter and syncopated figures
  • Breath support and phrasing over longer melodic lines
  • Connecting technical goals to expressive musical choices

You May Also Like