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More Festive Strings for Solo Instruments: Solo Cello

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More Festive Strings for Solo Instruments: Solo Cello

Arr. and ed. Joanne Martin

Item: 00-0978

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Description
More Festive Strings is a collection of well-known Christmas and Chanukah melodies arranged to meet the needs of individuals, groups and orchestras. In order to provide flexibility, the collection is available in a number of instrumentations, all of which are compatible with each other. Accessible keys have been used and shifting is kept to a minimum. Titles: O Chanukah * Angels We Have Heard on High * We Three Kings * Silent Night in D Major * We Wish You a Merry Christmas * O Come All Ye Faithful * Dreydl * Silent Night in G Major * Good King Wenceslas * What Child Is This (Greensleeves).

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-87487-978-7
ISBN13: 978-0-87487-978-0
UPC: 029156955347
SKU: 00-0978
Instrumentation: Solo Cello

More about this title

About the Arranger: Joanne Martin

Joanne Martin

Joanne Martin brings decades of multi-instrumental expertise to her arranging work. A violist, violinist, cellist, bassist, pianist, and button accordionist, she has performed with the Winnipeg Symphony Orchestra, Manitoba Chamber Orchestra, and numerous chamber ensembles across North America and Europe. Her work as a Suzuki Teacher Trainer and clinician has shaped how she thinks about accessibility and pedagogy in ensemble writing.

Martin's catalog reflects her deep understanding of what teachers need. Her I Can Read Music series became the standard note-reading method for beginning Suzuki students worldwide. Her ensemble publications, Festive Strings, Folk String series, ViolaFest, and Trio Tapestry, all share her commitment to flexible scoring that welcomes mixed levels and diverse instrumentation. She won the American Suzuki Institute Suzuki Chair Award in 2007 for her contributions to talent education.

Why we love this

Martin understands that holiday repertoire needs to work for real teachers with real constraints. By offering the same titles in multiple keys and keeping shifts minimal, she's removed the barriers that often make seasonal programming feel like extra work. The flexibility built into this collection means a solo cellist can perform independently or blend into larger ensembles with confidence.

What to expect

These arrangements feel like coming home. Familiar carols and holiday songs are wrapped in warm, idiomatic cello writing that lets the melodies breathe. There's nothing flashy here, just genuine musical substance with the comfort of tradition.

Who it's for

Solo cellists preparing for winter recitals, holiday performances, or church services will find reliable, singable arrangements that honor the familiar melodies. This collection also works for cellists building confidence with public performance, since the familiar material helps focus on musical storytelling rather than technical survival.

How to get the most out of it

  • Emphasize the melodic line without pushing tone. These well-known tunes carry their own weight; your job is clarity and warmth, not display.
  • Check which key works best for your instrument's register and resonance. Martin provides two versions of Silent Night, so test both before deciding.
  • Use the limited shifting to your advantage. Staying in comfortable positions lets you focus on phrasing and vibrato choices that define the character of each carol.

How to use it

Build a solo recital around a small group of these pieces, or extract single arrangements for community events and holiday services. The collection's accessibility makes it ideal for cellists preparing their first public solo performances during the winter season.

Skills your students will build

  • Reading in both treble and bass clefs with accuracy
  • Phrasing longer melodic lines across multiple phrases
  • Managing vibrato and tone color for expressive storytelling
  • Position stability in common keys without excessive shifting

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