More Festive Strings Cover Image

More Festive Strings: Piano Acc. (Instrumental)

$6.95 USD
Sale price  $6.95 USD Regular price 
Skip to product information
More Festive Strings Cover Image

More Festive Strings: Piano Acc. (Instrumental)

Arr. and ed. Joanne Martin

Item: 00-0979

$6.95
Shipped

One moment…

Description
More Festive Strings is a collection of well-known Christmas and Chanukah melodies arranged to meet the needs of individuals, groups and orchestras. In order to provide flexibility, the collection is available in a number of instrumentations, all of which are compatible with each other. Accessible keys have been used and shifting is kept to a minimum. Titles: O Chanukah * Angels We Have Heard on High * We Three Kings * Silent Night in D Major * We Wish You a Merry Christmas * O Come All Ye Faithful * Dreydl * Silent Night in G Major * Good King Wenceslas * What Child Is This (Greensleeves).

More Festive Strings: Piano Acc. (Instrumental) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-87487-979-5
ISBN13: 978-0-87487-979-7
UPC: 029156953671
SKU: 00-0979
Instrumentation: Piano Acc.

More about this title

Why we love this

The real strength here is the pragmatic approach to flexibility. You get ten standard seasonal titles in keys that work, which means your string players spend rehearsal time on musicianship instead of wrestling with transpositions or register shifts. Having both D and G major versions of Silent Night alone shows deliberate thinking about what actually works in mixed ensembles.

What to expect

Warm and accessible without sacrificing musical substance. These arrangements honor the melodic content of beloved songs while staying conversational and intimate, perfect for the quiet contemplation of December concert seasons.

Who it's for

String directors building their winter concert repertoire alongside full orchestral music, plus piano teachers accompanying student ensembles who need reliable, idiomatic reduction scores. This works equally well for holiday programs that mix soloists with group pieces.

How to get the most out of it

  • Balance the melody line carefully, especially when strings sustain long notes over moving accompaniment. The piano should support without drowning out your lead voice.
  • Use the accessible keys as permission to push for clean intonation and phrase shape rather than survival-mode playing. These arrangements give you room to breathe.
  • Consider layering instruments strategically across the collection. Solo passages shine with just one voice; fuller arrangements need deliberate voice leading to stay clear.
  • Establish secure tempos early in rehearsal. These familiar melodies invite tempo drift when players rely on memory instead of pulse.

How to use it

Slot individual titles into diverse concert contexts: carol medleys for fundraisers, intimate string trio readings for smaller spaces, or full ensemble versions when your whole group is present. The range of titles means you can build a cohesive winter program without programming the same arrangement twice.

Skills your students will build

  • Reading piano accompaniment parts written with string players in mind
  • Balancing independent melodic lines against sustained harmonic support
  • Playing in accessible keys with minimal position shifts for accuracy
  • Phrasing familiar melodies with musical intention rather than default interpretation

You May Also Like