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More Favorite Songs of Praise: Trombone/Baritone/Bassoon/Tuba Book

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More Favorite Songs of Praise: Trombone/Baritone/Bassoon/Tuba Book

Solos, Duets, Trios with Optional Piano Accompaniment

Arr. Michael Lawrence

Grade: 2.5-3

Item: 00-37097

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Description
More Favorite Songs of Praise is the newest edition of the time-honored "Favorite" series. Michael Lawrence has carefully chosen some of the best-known "Favorites" of Contemporary Christian Praise Songs. The songs can be played as a solo, a duet, or a trio, with or without piano accompaniment. These beautiful and exciting arrangements are fun to play and will be audience/congregation-pleasers for years to come. Titles: Amazing Grace (My Chains Are Gone) * Better Is One Day * He Knows My Name * The Heart of Worship (When the Music Fades) * Holy Is the Lord * How Great Thou Art * Jesus, Name Above All Names * Made Me Glad * Open the Eyes of My Heart, Lord * Sing to the King * You Are My All in All * You're Worthy of My Praise.

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Additional Details
Series: Favorite Instrumental Series
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7390-7715-5
ISBN13: 978-0-7390-7715-3
UPC: 038081411972
SKU: 00-37097
Instrumentation: Trombone/Baritone/Bassoon/Tuba

More about this title

About the Arranger: Michael Lawrence

Michael Lawrence has built a reputation for creating accessible yet musically rewarding arrangements that serve congregations and concert audiences alike. His work in the Favorite Instrumental Series demonstrates a gift for selecting repertoire that resonates with both performers and listeners, making contemporary praise music available across a wide range of ensemble configurations.

Why we love this

Lawrence's selections hit a sweet spot between familiarity and freshness; these are songs your ensemble already knows, arranged in a way that makes lower brass voices sound full and purposeful rather than supporting. The flexible instrumentation means you can deploy this with whatever combination of players shows up that Sunday, whether you're fielding a trombone soloist or a full quartet.

What to expect

These arrangements radiate warmth and sincerity without veering into sentimentality. The writing sits comfortably in lower registers, giving the ensemble a grounded, resonant quality that allows each voice to ring clearly while supporting the songs' spiritual weight.

Who it's for

Church musicians and worship leaders who need reliable arrangements for brass and woodwind combinations, particularly those serving congregations where these instruments rotate in and out of the ensemble. Music directors in middle and high school bands will find this collection useful for devotional concerts or interfaith programming.

How to get the most out of it

  • Balance the melody line against the harmonic foundation. Since this book covers multiple instruments with different ranges, rehearse sections separately first to establish who carries the tune in each arrangement.
  • Record yourself as a group during rehearsals and listen back. Intonation issues in slow hymnic passages like 'How Great Thou Art' become obvious when you hear them played back.
  • Treat ensemble unison moments with particular care. Even small articulation mismatches stand out when everyone hits the same note, especially in a church setting where silence is part of the soundscape.
  • Coordinate with accompaniment if you're using the optional piano part. A quick run-through before the service eliminates surprises about tempo or phrasing.

How to use it

Slot these into worship services where your brass players need meaningful musical contributions, or consider a full concert set around contemporary praise as an alternative to standard classical programming. They work equally well as standalone pieces or as a cohesive set that showcases how deeply familiar songs can be reimagined for your particular instrumentation.

Skills your students will build

  • Balancing melody and harmony in flexible instrumentation
  • Reading and matching articulation and phrasing across different instrument families
  • Maintaining steady intonation in lyrical passages
  • Adapting to different ensemble configurations and performance contexts
  • Accompanying skills when working with optional piano parts

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