More And More Sheet Music Preview

More And More: SATB Choral Octavo

Arranged by Harold Ross

Item: 35-DS00263607

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00263607

More about this title

Why we love this

Ross's arrangement distills a familiar spiritual into something singable for four-part choirs without sacrificing the emotional weight of the text. The voicing remains transparent enough that even smaller sections can carry the piece, yet it opens naturally into fuller, more resonant moments when all voices are present.

What to expect

The piece radiates quiet certainty, building from a reflective foundation into moments of warmth and affirmation. There's a spiritual sincerity here that avoids sentimentality; instead it offers genuine reassurance through clean harmony and clear melodic lines.

Who it's for

Choirs of intermediate to advanced skill level seeking repertoire that bridges sacred tradition with accessible four-part writing. This works well for concert settings, worship services, or festival programming where both musical substance and congregational appeal matter.

How to get the most out of it

  • Balance the soprano line carefully in the opening phrase; it carries the melody and needs to speak clearly without overshadowing the harmonic foundation underneath.
  • Work the text as a meditation on abundance and grace. Resist rushing; let each phrase breathe and allow the message to land with listeners.
  • Attend to the alto and tenor parts where they move independently from the sopranos and basses. These inner voices create harmonic depth that requires rhythmic precision.

How to use it

Pair this with other spirituals or sacred works in a concert program to create a thematic arc around faith and endurance. It also serves well as a closing piece for a service or concert, leaving audiences with something both uplifting and contemplative.

Skills your students will build

  • Balancing four independent voice lines in hymn-like textures
  • Sustaining long phrases with clear diction in a sacred text
  • Singing inner harmony parts that support rather than double the melody
  • Responding to subtle dynamic and expressive shifts within a straightforward harmonic framework

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