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Moonmarch: Concert Band, Score and Parts

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Moonmarch: Concert Band, Score and Parts

By Jared Spears

Grade: 1

Item: 36-20100731

$45.00
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Description
Looking for a different style march for your next concert or contest? Moonmarch will fill the bill. In C minor, with limited range and technical demands but tuneful melodies and great percussion, this number will show your students at their very best.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891887-1
ISBN13: 978-1-57-891887-4
UPC: 660355044922
SKU: 36-20100731
Instrumentation: Concert Band

More about this title

About the Composer: Jared Spears

Jared Spears

Jared Spears brought decades of teaching experience across all educational levels to his work as a composer. A native of Chicago, he earned degrees from Northern Illinois University, the Cosmopolitan School of Music, and Northwestern University, where he studied composition under respected mentors including Alan Stout and Anthony Donato. After 32 years on the faculty at Arkansas State University, he transitioned to full-time composing and conducting, establishing himself as a prolific voice in American band and choral music.

Spears has been recognized with the Faricy Award for Creative Music, ASCAP awards, Citations of Excellence from the National Band Association, and selection as Outstanding Educator of America. His catalog now encompasses more than 250 works for band, choir, orchestra, and chamber ensembles, many published internationally. His music continues to be performed worldwide, and he has led festivals, camps, and clinics across the United States, Canada, and Europe.

Why we love this

Grade 1 marches that sound fresh and engaging without requiring advanced musicianship are rare finds. Moonmarch delivers a complete concert experience: melodic substance that feels intentional rather than simplified, interesting percussion writing that gives the entire section genuine material to play, and a harmonic language (C minor) that stands apart from the typical major-key march parade. Directors appreciate pieces that let developing ensembles succeed without feeling patronized.

What to expect

Moonmarch carries the dignity of a traditional concert march with an underlying reflectiveness born from its C minor tonality. The melodies are singable and memorable, and the percussion writing adds rhythmic vitality and color throughout. It feels like a piece the ensemble has truly accomplished together rather than simply performed.

Who it's for

This is an ideal choice for beginning bands preparing for their first concert or a festival appearance. The limited technical and range demands mean every section of the band can participate meaningfully, while the tuneful melodies and varied orchestration keep the music engaging for both players and listeners.

How to get the most out of it

  • Lean into the minor key; it gives the march character and mystery. Avoid pushing too much brightness into the tone. C minor works best when the band commits to a slightly darker, more focused sound.
  • Balance the percussion writing carefully. Spears has given the battery and auxiliary parts real responsibility here, not filler. Let those voices sing without overwhelming the melodic lines.
  • Use steady, confident conducting to establish pulse early. Grade 1 students often rush marches from nervousness; a clear, grounded beat from the podium builds their confidence and locks the ensemble together.

How to use it

Open a concert with Moonmarch to set a confident, energetic tone while immediately demonstrating your band's musicality to the audience. It also works beautifully as a bridge piece between a lighter opening number and more substantial concert fare, giving students a moment to settle into their best playing while the audience is still arriving.

Skills your students will build

  • Playing sustained melodic lines with consistent tone and phrasing
  • Coordinating rhythmic precision in a march style without technical overload
  • Balancing volume and blend across the full ensemble
  • Understanding minor key tonality and its expressive possibilities
  • Executing standard march forms and sectional structures

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