Moonlit Shores Sheet Music Preview

Moonlit Shores: Piano

By Kathleen Massoud

Item: 98-DS4102

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$2.95
Description
A focus on legato playing between the hands with connected pedaling makes this elementary piece a perfect introduction to expressive playing.

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Sample Video
Additional Details
Series: Spotlight Solo Sheets
Publisher: The FJH Music Company, Inc.
SKU: 98-DS4102

More about this title

About the Composer: Kathleen Massoud

Kathleen Massoud

Kathleen Massoud studied piano performance at Hartt College of Music in Hartford, Connecticut and Longy School of Music in Cambridge, Massachusetts, building a foundation in both technique and musicality. She has maintained an independent piano studio for over 20 years and serves as an active member of the National Guild of Piano Teachers. She previously held the position of president for the Southeastern Chapter of the Massachusetts Music Teachers Association and co-founded the Massoud Piano Studio in New Bedford, Massachusetts in 1980.

Beyond her studio work, Massoud pursues interests in sacred music through her participation in church choir and maintains creative outlets in poetry and volunteer service. She has one daughter, Marianna.

Why we love this

Moonlit Shores introduces elementary students to genuine expressive pedaling without relying on rapid note sequences or technical pyrotechnics. The writing asks young pianists to listen across their hands and shape sound through sustain and release, teaching musicianship that transfers to every piece they'll encounter later.

What to expect

Peaceful and contemplative, Moonlit Shores evokes the quiet shimmer of moonlight on water. The sustained harmonies and flowing melody create an intimate atmosphere that rewards careful listening and patient pedaling.

Who it's for

This piece serves elementary pianists ready to engage with pedaling and connected playing between hands. It works equally well for students preparing their first recital or for teachers seeking repertoire that reinforces foundational expressive concepts without overwhelming technical demands.

How to get the most out of it

  • Listen for the sound your hands create together before you press the pedal. Once you feel the legato connection between melody and accompaniment, introduce the damper pedal gradually to extend and blend that sound.
  • Change the pedal at natural phrase breaks. Rather than holding it through entire sections, think of pedal changes as punctuation marks that clarify the harmonic movement.
  • Bring out the melody line with gentle weight in your right hand while allowing the left hand accompaniment to recede slightly. This balance makes the legato relationship between the parts audible.

How to use it

Include this as a gentle opening number on a recital program or as the centerpiece of an early-year solo showcase. Its reflective character pairs well after a more energetic opening piece or before a contrasting work in a different style.

Skills your students will build

  • Connecting legato phrasing between right and left hands
  • Coordinating damper pedal changes with harmonic and phrase structure
  • Listening to sustained sound and controlling release
  • Shaping melody with dynamic awareness while maintaining accompaniment balance

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