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Moonglow: Choral Octavo SoundTrax CD

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Moonglow Cover Image

Moonglow: Choral Octavo SoundTrax CD

Words and music by Will Hudson, Eddie DeLange, and Irving Mills / arr. Darmon Meader

Item: 00-31088

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Description
Here's vocal jazz at its best, from one of today's top arrangers. This well-conceived arrangement is in a traditional swing style, with lots of tight and tasty harmonies. Bass and Drum parts offered free, online.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081338606
SKU: 00-31088

More about this title

About the Composer: Will Hudson

Will Hudson was a prolific composer and arranger working in the 1930s and 1940s, a period when jazz standards and popular song were reshaping American music. He collaborated with lyricists and fellow composers to create accessible, swinging melodies that became staples of the vocal jazz repertoire. Hudson's gift for crafting singable, harmonically inventive lines made his work ideal for both professional singers and student ensembles.

Why we love this

Darmon Meader has the ear of a jazz musician and the patience of a teacher. His voicings are sophisticated enough to sound genuinely swinging, yet the ranges and voice-leading remain genuinely accessible for high school singers. You'll hear tight harmonies and smart jazz phrasing without ever feeling like you're asking kids to sing beyond their ability.

What to expect

A late-night mood captured perfectly in harmony. Moonglow glides with that classic swing-era elegance, all velvet chords and gentle sway. The arrangement invites singers to sink into the warmth of tight harmonies and discover how much expressive power lives in a well-voiced jazz ballad.

Who it's for

High school and college choirs ready to move beyond pop arrangements into genuine vocal jazz. This octavo works beautifully for ensembles that have solid ensemble blend and can handle four-part jazz voicing with confidence. Directors programming concert pops segments or jazz festivals will find eager singers here.

How to get the most out of it

  • Treat the swing eighth notes with a relaxed triplet feel rather than straight rhythms; the recorded accompaniment will guide the groove, so listen carefully during rehearsal and lock into that pocket.
  • Balance the inner voices; jazz harmonies crumble when altos or tenors disappear into the mix. Full-voice rehearsals with just a piano can reveal where voices need projection.
  • Shape phrases with gentle dynamic swells rather than rigid blocks; this arrangement rewards singers who think like jazz musicians and breathe musically.

How to use it

Slot this into a pops or jazz-focused concert where you want to showcase choral sophistication without comedy or gimmicks. It pairs naturally with other Alfred Pop Choral Series selections and provides an excellent vehicle for introducing students to authentic jazz standards. Consider featuring it in a winter or spring concert segment that celebrates vocal harmony.

Skills your students will build

  • Swing rhythm feel and jazz phrasing conventions
  • Reading and balancing close jazz voicings in four-part harmony
  • Listening and blending to sustained jazz sonorities
  • Breath control and phrase shaping in a jazz idiom

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