Monster Mash Cover Image

Monster Mash: String Orchestra Conductor Score

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Monster Mash Cover Image

Monster Mash: String Orchestra Conductor Score

Words and music by Bobby Pickett and Leonard Capizzi / arr. Bob Phillips

Grade: 2.5

Item: 00-40453S

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Description
Yes! For the first time, just like the recording and in its entirety, here's "The Mash" for orchestra. With written-out narration, chorus parts for the string section or a choir, drumset, optional guitar, and piano, this one's ready for any bash. Add costumes, skits, and anything else the kids can think of to add excitement to your Halloween or pops concert. This is a great opportunity to invite that special guest to narrate. Correlates to Sound Innovations Book 2, Level 3.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 36
UPC: 038081459721
SKU: 00-40453S

More about this title

About the Composer: Bobby Pickett

Bobby Pickett composed "Monster Mash" in 1962, creating what would become one of the most enduring novelty recordings in American popular music. Originally performed by Pickett and his band, The Cryptkickers, the song's playful blend of doo-wop harmonies, spoken narration, and novelty humor made it an instant classic. Pickett's ability to craft a hook that transcends generations has made "Monster Mash" a perennial favorite in educational and popular music settings.

Why we love this

This full orchestration captures the charm and comedic energy of the original recording while giving your string players a legitimate pop arrangement to sink their teeth into. The built-in narrator role and optional choir parts create natural opportunities for cross-curricular collaboration and student engagement, while the Grade 2.5 difficulty keeps technical demands manageable so performers can focus on character and fun. Few repertoire choices deliver this combination of musical substance, student enthusiasm, and concert entertainment value.

What to expect

Playful, groovy, and infectious. The arrangement preserves the novelty humor of the original while giving the string section a genuine musical foundation; it bounces with doo-wop charm and comedic timing without ever feeling cutesy or dumbed-down. There's real fun here, grounded in a solid arrangement that respects both the players and the audience.

Who it's for

String orchestras at the intermediate level (Grade 2-3) who want to program accessible pop music that excites students and audiences alike. Directors seeking Halloween or fall pops concert repertoire that invites creative staging, student participation, and guest narrators will find this arrangement especially rewarding.

How to get the most out of it

  • Establish a clear click track or metronome during rehearsal to lock the rhythm section (drumset and optional guitar) with the strings, especially during the main groove sections where the pocket must feel intentional and groove-oriented rather than classical.
  • Cast your narrator thoughtfully and give them rehearsal time with the ensemble; the spoken passages are essential to the arrangement's personality, so clear diction and comedic timing matter as much as musical precision.
  • Encourage the string section to maintain a relaxed, conversational bow approach during the narrated sections rather than adopting a formal concert posture; this piece thrives on an almost theatrical ease.
  • Explore dynamic contrast between verses and the main chorus sections; the shift in energy when the full ensemble and choir sections kick in should feel like a genuine lift in excitement, not just a volume increase.

How to use it

Program this as your Halloween or fall pops concert anchor, allowing space for creative staging, costumed performers, and student-led visual elements. Its Grade 2.5 difficulty makes it an excellent vehicle for inviting middle school orchestras to perform alongside high school groups, or for creating a showcase moment where students from different sections take turns with the narrator role across multiple performances.

Skills your students will build

  • Playing with a groove-oriented rhythmic pocket rather than a classical beat
  • Coordinating ensemble texture when narration and instrumental music overlap
  • Maintaining musical presence during rhythmically simple passages
  • Balancing articulation clarity in staccato pop phrasing
  • Responding to theatrical and character-driven interpretive choices

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