Money (That's What I Want) Sheet Music Preview

Money (That's What I Want): E-Z Play Today

As performed by The Beatles / As performed by Barrett Strong

Item: 35-DS00459510

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00459510

More about this title

About the Artist: The Beatles

The Beatles fundamentally changed popular music and, by extension, music education itself. Their harmonic sophistication, melodic ingenuity, and willingness to experiment across genres demonstrated that rock music deserved serious musical consideration. For educators, their catalog represents an accessible entry point into studying composition, arrangement, and the cultural forces that shape how we listen.

Why we love this

This arrangement strips the song down to its essential groove and charm, making it an ideal choice for students still building independence at the keyboard. The two-page format respects attention spans while delivering a complete, recognizable piece that students actually want to play.

What to expect

Confident and upbeat. The melody sits comfortably in the hand, and the accompaniment patterns establish an infectious groove that makes the piece feel more accomplished than it actually is. There's a lightness to it that comes from the song's original cheeky attitude about materialism.

Who it's for

Beginning to early intermediate pianists who benefit from material that connects to the music they hear outside the lesson studio. This arrangement gives them a quick win while reinforcing fundamental hand independence and rhythmic feel.

How to get the most out of it

  • Keep the left hand rhythm steady and conversational rather than metronomic. The pocket matters more than perfect precision.
  • Lean into the syncopation in the melody line to capture the song's playful attitude.
  • Allow the tempo to breathe slightly in the final phrases, letting the ending land with intention rather than rushing.

How to use it

Pair this with other familiar standards from the early rock era to create a short set that appeals to audiences beyond traditional classical concert attendees. It works well as a program opener that immediately signals a student recital or showcase will include music students genuinely care about.

Skills your students will build

  • Hand independence between melody and accompaniment
  • Reading syncopated rhythmic patterns
  • Maintaining a steady groove despite rhythmic complexity
  • Shaping phrase endings with intention

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