Money, Money, Money (arr. Wendy Sergeant): SATB Choral Octavo

Wendy Sergeant's arrangement captures the infectious energy and sophisticated harmonic underpinnings that made ABBA iconic, translating the studio polish into writing that's genuinely singable for mixed choirs. The five-page format keeps the piece manageable while preserving the earworm hook that makes it instantly gratifying to perform.

Irresistible momentum. The arrangement sparkles with the kind of precise, shiny production that made ABBA's originals so addictive, combined with rich vocal harmonies that give the piece real musical weight. Singing it creates instant joy.

Choirs looking to connect with pop repertoire that has substance beyond its radio appeal. This works equally well as a concert closer, a high-energy contest selection, or a piece that bridges classical and popular music traditions.

• Lean into the rhythmic precision of the accompaniment; the groove depends on tight articulation of eighth-note figures and consistent pulse from your rhythm section.
• Balance the melodic line prominently in whichever voice carries it, but let the inner harmonies breathe. ABBA arrangements live in the blend of interlocking parts.
• Experiment with dynamics that echo the production's energy swells. This piece rewards phrasing that builds momentum rather than sitting flat.

Pair this with other 1970s hits to create a throwback concert set, or use it as your pops finale to send audiences home humming. It's also effective sandwiched between classical pieces as a palate cleanser that reminds everyone why your choir sings together.

• Rhythmic precision in pop idioms with syncopated figures
• Blend and balance across four SATB parts with interlocking melodic lines
• Stylistic singing that honors pop conventions while maintaining vocal technique
• Ensemble flexibility moving between sustained harmonies and rhythmic articulation