Mona Lisa Sheet Music Preview

Mona Lisa: SATB Choral Octavo

By Ray Evans / By Jay Livingston / As performed by Nat King Cole / Arranged by Ed Lojeski

Item: 35-DS00086223

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00086223

More about this title

About the Composer: Ray Evans

Ray Evans was a prolific songwriter and composer whose career spanned decades in film, television, and popular music. Working frequently with Jay Livingston, Evans contributed to countless standards that became beloved by audiences worldwide, demonstrating a gift for memorable melodies and singable, emotionally resonant lines.

Why we love this

Ed Lojeski's arrangement captures the sophistication of this classic while keeping it accessible for mixed choirs. The voicing balances harmonic richness with clarity, allowing the iconic melody to shine without overwhelming less experienced singers.

What to expect

There's an unhurried elegance to this piece. The melody unfolds with the kind of gentle confidence that made the original recording timeless, and Lojeski's writing preserves that intimate quality even in full four-part harmony. Singers and listeners alike feel the warmth of a standard that's earned its place in the American songbook.

Who it's for

This arrangement works beautifully for high school, college, and community choirs seeking crowd-pleasing repertoire that doesn't sacrifice musicality. It's equally suited for concert settings and festival competitions where the judges and audience recognize quality pop songwriting.

How to get the most out of it

  • Shape the phrase arch carefully in the main melody; this tune lives on long, connected lines rather than shorter fragments. Singers should feel the sweep across entire phrases rather than stopping at bar lines.
  • Pay attention to the dynamic shape Lojeski marks in the accompaniment voices. These inner parts aren't filler; they add harmonic movement that supports the overall interpretation.
  • Find the right tempo by singing the melody aloud first. Too fast and the lyrical quality disappears; too slow and the piece becomes static. Land on a tempo that lets the text breathe naturally.

How to use it

Pair this with other well-crafted pop arrangements to create a varied concert set that appeals to diverse audiences. It also serves as an excellent teaching piece mid-season when singers have built enough blend and intonation skills to handle the harmonic subtleties without the arrangement becoming a struggle.

Skills your students will build

  • Maintaining long, connected phrases across multiple measures
  • Balancing melody and inner harmony parts for ensemble cohesion
  • Shaping dynamic contours within a legit pop style
  • Interpreting text with sensitivity in a secular popular standard

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