Momma Song (arr. Mac Huff) Sheet Music Preview

Momma Song (arr. Mac Huff): TTBBB Choral Octavo

By Jason Evigan / By Benson Boone / By Jackson Lafrantz Larsen / Arranged by Mac Huff

Item: 35-DS01772367

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS01772367

More about this title

About the Composer: Jason Evigan

Jason Evigan is a songwriter and producer who has written and collaborated on numerous pop hits for contemporary artists. His work spans multiple genres and demonstrates a keen understanding of melody and modern production sensibilities that translate effectively across different musical contexts.

Evigan's songs have reached wide audiences through both recording artists and live performance, making his compositions valuable additions to choirs seeking contemporary material with strong melodic appeal and relatable emotional content.

Why we love this

Mac Huff's arrangement captures the emotional directness of this song while giving it room to breathe in a choral setting. The TTBBB voicing creates a warm, accessible sound that connects immediately with singers and audiences alike, and the piece sits comfortably for most voices without requiring an extended range.

What to expect

The piece carries genuine warmth and sincerity, with music that honors the emotional core of the original song. Singing it feels both intimate and uplifting, inviting the kind of honest expression that makes pop music resonate across different age groups.

Who it's for

This arrangement works for singers at the intermediate level and above who want to explore contemporary pop repertoire with accessible voicing. It appeals to choirs building their secular pop catalog and directors seeking music that resonates with both performers and listeners.

How to get the most out of it

  • Balance the melody between sections so it stays forward without becoming one-dimensional; let different voice parts share the lead at key moments to maintain engagement.
  • Shape the phrase lengths based on breathing opportunities rather than strictly adhering to written bar lines; this creates a more natural, conversational quality.
  • Keep the harmonic foundation of the bass and baritone voices transparent so they support without overwhelming the upper voices.

How to use it

This works well on concerts celebrating contemporary songwriting or programming a set that mixes classical and modern repertoire. The approachable emotional content and straightforward musicianship make it suitable for spring or end-of-year concerts where you want material that reflects current musical culture.

Skills your students will build

  • Balancing melody and harmony in contemporary idioms
  • Singing with legit pop phrasing while maintaining choral blend
  • Managing accessible four and five-part voicing across varied tessituras

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