Moments from Wicked (Choral Medley) (arr. Roger Emerson) Sheet Music Preview

Moments from Wicked (Choral Medley) (arr. Roger Emerson): SATB Choral Octavo

By Stephen Schwartz / Arranged by Roger Emerson

Item: 35-DS01847617

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Additional Details
Publisher: Hal Leonard
Page Count: 23
SKU: 35-DS01847617

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz has shaped contemporary musical theater for nearly five decades, beginning with Godspell and Pippin in the 1970s and continuing through Wicked, which became a cultural phenomenon. His gift for melody and emotional directness makes his work exceptionally singable, which is why his songs appear in choirs across the country.

Beyond the Broadway stage, Schwartz has written for film (Pocahontas, Tangled, Enchanted) and composed extensive sacred music. His understanding of how voices work together, combined with his ability to craft hooks that stick with audiences, makes his material ideal for both concert and educational settings.

Why we love this

Roger Emerson's arrangement captures the theatrical spark of Wicked while making it genuinely singable for mixed choirs. The medley structure lets you include multiple iconic moments without overloading any single rehearsal demand, and the 23 pages give you enough substance for a memorable concert statement without competing with a full choral show.

What to expect

Emerson's medley sparks with the defiance and warmth audiences felt watching Wicked on stage. These moments unfold with Broadway sophistication, yet the writing sits naturally in mixed voices, creating an experience that feels both polished and alive in performance.

Who it's for

Any SATB choir looking to program contemporary Broadway material that connects with audiences while remaining accessible in the rehearsal room. Show choirs especially benefit from the theatrical DNA woven through Emerson's arrangement, though concert choirs seeking repertoire with popular appeal will find real substance here.

How to get the most out of it

  • Balance the soprano line in moments where it soars above the ensemble; these melodies define the emotional arc and need clarity without sounding strained.
  • Lean into the rhythmic propulsion that Schwartz built into these melodies. Avoid dragging transitions between medley sections, which can flatten the energy that audiences expect from this material.
  • Use the key centers of each song to shape your dynamics and phrasing. Moving through different harmonic territories keeps the medley from feeling static.
  • Invest in the text work. These lyrics carry theatrical weight and story; singers who understand what they're singing about will naturally perform with more conviction.

How to use it

Position this as your contemporary anchor at a spring concert, either closing the first half or bookending the second. It pairs well with a mix of standards and classical pieces, offering audiences a tonal shift that feels intentional rather than random. You can also slot it into a Broadway or musical theater themed concert where it becomes the emotional centerpiece.

Skills your students will build

  • Singing contemporary musical theater idiom with proper phrasing and style
  • Managing transitions between contrasting musical moments within a single piece
  • Balancing four-part harmony while maintaining individual melodic clarity
  • Connecting text and theatrical intent to vocal delivery
  • Sustaining ensemble cohesion across 23 pages of varied material

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