Modal Tune: Percussion 2, (Crash Cymbals, Triangle, Suspended Cymbal)

Modal Tune inhabits a strange, productive space between ancient and present. It sounds both grounded and unsettled, as if Renaissance polyphony is being viewed through a modern prism. The serious tone contrasts deliberately with moments of brilliance, creating a composition that feels substantive rather than decorative.

Conductors leading Grade 6 bands with secure fundamentals in four-part writing and who want their students to hear serious compositional thinking. This works for bands comfortable with both modal harmony and contemporary extended techniques, and for ensembles ready to engage with irregular meters as expressive tools.

• Balance the dialogue between woodwinds, brass, and percussion intentionally. These three sections function as independent musical voices, so sectional rehearsals that isolate each choir's contrapuntal line will make ensemble clarity happen faster than playing through.
• Prepare the irregular rhythms by conducting them in context first. Have the band tap the rhythmic patterns against a steady pulse before adding pitches; the modern rhythmic language sits better when players understand it as a deliberate contrast to the modal sections.
• Shape the second movement's forward motion by thinking of it as a single phrase rather than a sequence of measures. The 'moving' quality Bonafine writes comes from continuity, not from rushing.

Program this as a centerpiece for a concert exploring musical voice and form. It pairs naturally with twentieth-century works that also blend historical language with contemporary syntax, or stand it alone as an intermission statement that shifts the room's attention. The difficulty and conceptual weight make it suitable for a spring concert where rehearsal time has built real ensemble confidence.

• Reading and performing modal scales and modal counterpoint
• Balancing independent sectional voice-leading in ensemble context
• Executing irregular rhythms and mixed meters with precision
• Interpreting Renaissance compositional techniques within modern harmonic language
• Listening across sectional lines to maintain transparency and blend