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Mock Morris for Orchestra (Perna ed.): Full Orchestra Conductor Score & Parts

$125.00 USD
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Mock Morris for Orchestra (Perna ed.) Cover Image

Mock Morris for Orchestra (Perna ed.): Full Orchestra Conductor Score & Parts

By Percy Aldridge Grainger / arr. Leopold Stokowski, Dana Perna

Grade: 5

Item: 36-50200004

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Description
This is another LudwigMasters edition 'exclusively endorsed by the International Grainger Society.' Delightfully upbeat and lively, this Grainger classic will lighten up full orchestra concerts and provide a bit of musical history at the same time. Written in the style of a morris dance, it is completely original and was inspired by the motto "Always Merry and Bright." Edited by Dana Perna and engraved from Grainger's score and parts, it faithfully reproduces Grainger's original arrangement and includes the ending from the famous Stokowski recording. Another gem from the pen of a master composer, Mock Morris brings all the delight and beauty of folksong to the concert hall.

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Additional Details
Series: Percy Grainger Orchestra Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134628-7
ISBN13: 978-1-57-134628-5
UPC: 679360764619
SKU: 36-50200004

More about this title

About the Composer: Percy Aldridge Grainger

Percy Aldridge Grainger (1882-1961) was an Australian-born composer and pianist who became a champion of English folk music and a tireless innovator in orchestration. His arrangements of traditional melodies transformed simple source material into vivid, colorful concert works that honor folk traditions while showcasing sophisticated harmonic and orchestral writing. Grainger's approach to composition emphasized clarity, rhythmic vitality, and accessibility; he believed concert music could be both intellectually rigorous and genuinely joyful.

Why we love this

Mock Morris cuts through the weight of a typical concert program with genuine personality and flair. The piece demonstrates Grainger's gift for making orchestral color serve character rather than mere decoration, and conductors consistently report that audiences respond with visible delight to its unbridled energy and charm.

What to expect

Mock Morris bubbles with infectious good humor and rhythmic swagger. The orchestration sparkles with folk-inspired melodies that dance through the ensemble, creating a festive, almost carnival-like atmosphere that feels both timeless and immediately alive.

Who it's for

This score and parts are ideal for conductors leading full orchestras at the Grade 5 level who want to program music that entertains audiences while respecting Grainger's compositional craftsmanship. Advanced high school orchestras and college ensembles benefit equally from the technical demands and expressive possibilities the work offers.

How to get the most out of it

  • Keep the rhythmic pulse buoyant and clean; the morris dance style demands rhythmic clarity from the ensemble, particularly in the lower strings and woodwinds, so mark a steady preparatory beat and expect the orchestra to lock in.
  • Balance the melodic lines across the orchestra with a light hand. Grainger often distributes the tune among different instrumental families; resist the urge to let any single section overwhelm the texture.
  • The famous Stokowski ending included in this edition gives the piece a splashy, satisfying conclusion. Rehearse the final moments with particular attention to ensemble unity so the dramatic gesture lands with full impact.
  • Articulation matters tremendously in bringing out the dance character. Work with each section on crisp, unified attacks in passages marked staccato or lightly tongued.

How to use it

Program this as a concert opener or as a palate-cleanser between weightier works. Its buoyant character and accessible melodic content make it an ideal choice for family concerts, and pairing it with other Grainger orchestral works creates a cohesive, celebratory program block.

Skills your students will build

  • Reading varied orchestral textures and instrumental doublings
  • Maintaining rhythmic precision in dance-based meters
  • Balancing exposed melodic lines across multiple orchestral sections
  • Responding to clear stylistic direction (marked articulation and phrasing)
  • Ensemble cohesion in fast, rhythmically driven passages

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