Misty (Emocionado) (arr. Michele Fernández) Sheet Music Preview

Misty (Emocionado) (arr. Michele Fernández): Jazz Ensemble Conductor Score & Parts

Arranged by Michele Fernández

Grade: 3

Item: 35-PK01288177

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Description
In a medium uptempo style, here is a great-sounding salsa version of Erroll Garner's popular standard. Saxes take the melody at first before handing it off to the brass along with a variety of accompaniment effects and clever devices. An alto sax solo is featured before finishing with a joyous chorus for the brass. A nice twist on a familiar tune!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01288177

More about this title

Why we love this

Fernández respects the melodic integrity of Garner's standard while completely reimagining its harmonic and rhythmic life through a salsa lens. The orchestration keeps ensemble players engaged throughout, rotating the spotlight between sections so no one sits idle, and the alto sax solo gives a featured player a genuine moment to shine without derailing the arrangement's forward momentum.

What to expect

The piece channels the warmth and lyricism of the original while channeling Latin heat through a tight, medium-tempo groove. Brass and reeds trade the melody in a way that feels conversational, and the alto sax solo emerges as a genuine moment of vulnerability before the final brass shout brings infectious joy back to the room.

Who it's for

Jazz ensembles at the intermediate level looking for a standard with built-in accessibility but genuine arrangement sophistication. Directors who want to program a recognizable tune that still demands focused rehearsal and offers teaching moments around style, section balance, and solo accompaniment.

How to get the most out of it

  • Balance the opening saxophone melody against the rhythm section's salsa clave foundation. The horns should anchor the groove rather than sit on top of it.
  • Shape the transition into the alto sax solo with a slight lift in energy. This is the arrangement's emotional peak, so the ensemble should frame it cleanly without overshadowing the soloist.
  • Lock the brass section's closing chorus into a tight, coordinated sound. Fernández has written clever accompaniment figures that only land if the parts breathe and articulate as a unified block.

How to use it

This works beautifully on a jazz concert where you want something that audiences recognize immediately but that demonstrates your ensemble's stylistic range. Pair it with a blues head or bebop chart to show your group's versatility across jazz idioms, or use it as the opening number to establish energy and engagement before moving into more adventurous material.

Skills your students will build

  • Salsa rhythmic feels and clave-based accompaniment patterns
  • Balancing melody against active background rhythms
  • Section-to-section handoffs and ensemble articulation consistency
  • Supporting a featured soloist within a full ensemble texture
  • Style-appropriate articulation and phrasing for Latin jazz

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