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Mississippi Suite, A Tone Journey: 4. Mardi Gras: Full Orchestra Score

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Mississippi Suite, A Tone Journey: 4. Mardi Gras Cover Image

Mississippi Suite, A Tone Journey: 4. Mardi Gras: Full Orchestra Score

By Ferde Grofe

Item: 36-E911501

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Description
Ferde Grofe's (1892-1972) Mississippi Suite depicts scenes along a journey down the Mississippi River, from its headwaters of Minnesota down to New Orleans. The work was composed in 1926 and first performed that year by Paul Whiteman's Orchestra in New York City. Later, American lyricist Harold Adamson wrote words to the music from the ballad theme of the suite's final movement. The resulting song was called "Daybreak." In July 1942, it was recorded and released by Harry James, Jimmy Dorsey, and Tommy Dorsey. All three versions made the top 20 in the National Best-Selling charts, with Tommy Dorsey and his vocalist, Frank Sinatra, peaking at number 10 in October. Sinatra later recorded it along with many of his 1940's hits on his 1961 reprise album, I Remember Tommy. Movements: 1. Father of Waters, 2. Huckleberry Finn, 3. Old Creole Days, 4. Mardi Gras. This fourth movement, "Mardi Gras," is a popular standalone work and is frequently programmed in concerts without the first three movements of the suite when a shorter, upbeat work is needed. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3 (3rd BTbn).1: Timp.Perc(4).Clst.Hp: Str (9.8.7.6.5 in set). The full Mississippi Suite is also available from the publisher.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-888529-78-0
ISBN13: 979-8-888529-78-2
UPC: 659359890598
SKU: 36-E911501
Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3 (3rd BTbn).1: Timp.Perc(4).Clst.Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Ferde Grofe

Ferde Grofe (1892-1972) was an American composer and arranger who bridged classical and popular music with uncommon skill. He rose to prominence as an arranger for Paul Whiteman's orchestra in the 1920s, and his orchestrations helped establish Whiteman's ensemble as a serious concert force. Beyond his work as an arranger, Grofe created his own substantial compositions, most notably the Grand Canyon Suite and the Mississippi Suite, both of which remain staples of American orchestral repertoire and showcase his gift for vivid orchestration and accessible, memorable melody.

Grofe's approach to composition emphasized colorful instrumentation and direct emotional appeal. His works capture the American landscape and spirit without pretension, making them ideal for teaching orchestration, form, and the possibilities of the full orchestra. His influence extended across generations of film composers and orchestrators who learned from his mastery of texture and balance.

Why we love this

Mardi Gras delivers unrelenting energy and brilliant orchestral color in a package that actually fits a concert program. The movement sparkles with festive character while remaining musically sophisticated—your orchestra gets to play with confidence and joy rather than grind through demanding modernism. Audiences love it, students play with genuine enthusiasm, and the orchestration teaches real lessons about how to blend and balance a full ensemble.

What to expect

The movement bursts with the color and swagger of New Orleans street celebration. Bright brass figures dance over an energetic rhythmic foundation while harp and percussion add shimmering sparkle and spice, creating a vivid scene that feels both authentically rooted in place and timelessly fun.

Who it's for

This score serves orchestras looking for a crowd-pleasing work that is both musically worthwhile and relatively accessible at the advanced high school or early collegiate level. The piece works equally well for professional and community orchestras seeking a showcase that combines American character with orchestral substance.

How to get the most out of it

  • Balance the brass section carefully during tutti passages so the melody remains audible; the cornets and trumpets can overwhelm the woodwinds if overplayed.
  • Shape the rhythmic figures with clarity and precision; the syncopated patterns that evoke jazz and New Orleans need crisp articulation and lift to convey the festive atmosphere.
  • Allow the harp to cut through in its moments; it adds essential shimmer and should not be buried beneath the full orchestra.
  • Conduct with energy and forward momentum throughout; Mardi Gras thrives on rhythmic drive and will drag if the tempo slackens or the ensemble loses focus.

How to use it

Program Mardi Gras as a energizing centerpiece or closer when you need a work that lifts the entire concert. Its brevity and self-contained character make it ideal for mixed programs pairing American classics with European masterworks, and it works particularly well as a palate-cleanser after heavier repertoire.

Skills your students will build

  • Balancing multiple simultaneous melodic lines in full orchestral texture
  • Executing syncopated rhythms with jazz influences and stylistic accuracy
  • Coordinating across five percussion positions and harp within an active ensemble
  • Reading and playing with ensemble precision in fast, energetic tempos
  • Understanding orchestration through analysis of how Grofe voices brass, woodwind, and string sections

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