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Mission in Outer Space: Piano Sheet

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Mission in Outer Space Cover Image

Mission in Outer Space: Piano Sheet

By Dennis Alexander

Level: Late Elementary

Item: 00-22476

$3.50
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Description
If you could take a trip to outer space, where would you go? Students will have fun imagining their destination as they travel while performing this solo. Accidentals occur throughout the piece. The opening eight measures suggest a confident march, perhaps depicting astronauts walking gallantly to their space ship. Use of the damper pedal helps create the sound of floating in space in measures 9-16. This section provides opportunities for moving around the keyboard using a repeated whole-tone pattern divided between the hands. The march is then repeated, followed by a Coda that ends the solo with flair.

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Additional Details
Series: Alfred's Premier Piano Solos
Publisher: Alfred Music
Page Count: 4
UPC: 038081228730
SKU: 00-22476

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped music education for four decades through his work as a composer, pedagogue, and performer. A University of Kansas graduate and former piano department chair at the University of Montana, he taught piano pedagogy for 24 years before relocating to California, where he continued teaching at Cal State Fullerton and Cal State Northridge. His Carnegie Hall debut in 1987 launched a parallel career as soloist and collaborative artist with internationally recognized musicians.

Since 1986, Alexander's association with Alfred Music Publishing has produced over 400 compositions and recordings that have established him as one of the most widely performed educational composers for piano students across all levels. A sought-after clinician at state and national conventions, he has judged international competitions, led masterclasses at MTNA's national convention, and conducted workshops throughout the Far East. He now maintains an active composing and performance schedule from his home in Albuquerque, New Mexico.

Why we love this

Alexander captures the wonder of space exploration while embedding solid musical work. The narrative arc moves students beyond simple note-reading into genuine storytelling, where pedal technique and hand coordination across the keyboard become tools for imagination rather than technical exercises.

What to expect

The opening march projects confidence and preparation, like suiting up for an important mission. Once the damper pedal enters, the music shifts into dreamlike suspension, with whole-tone patterns creating an otherworldly floating sensation before the assured march returns with even greater authority.

Who it's for

Late elementary pianists ready to engage with accidentals and pedal technique in a musically coherent context. Students thrive when playing has narrative purpose, and this solo rewards their growing independence with a piece that feels like a real adventure.

How to get the most out of it

  • Shape the opening march with forward momentum in measures 1-8; the confident stride of astronauts should feel purposeful, not rushed.
  • Experiment with the damper pedal in the floating section (measures 9-16) to discover how decay and resonance create weightlessness; change the pedal carefully to avoid muddying the whole-tone patterns.
  • Map out the hand divisions in the repeated pattern before performance to ensure smooth transitions across the keyboard; mark your hand position shifts clearly in the score.

How to use it

Pair this with other contemporary educational solos that use theatrical imagery to deepen student engagement in recitals or festivals. The four-page length makes it ideal for spring studio concerts where students can contribute something substantial without overshadowing ensemble work.

Skills your students will build

  • Reading and executing accidentals in a musical context
  • Coordinating hand movements across large keyboard distances
  • Pedal technique for creating resonance and atmosphere
  • Maintaining rhythmic stability through repeated patterns
  • Phrasing and shaping a march-form melody

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