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Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

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Misero! o sogno, o son desto, K. 431/425b Cover Image
Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

By Wolfgang Amadeus Mozart/ Italian libretto may be by Caterino Mazzolà, though this in question.

Item: 36-A297402
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Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score

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Description
Wolfgang Amadeus Mozart's (1756-1791) dramatic and moving concert recitative and aria MISERO! O SOGNO...AURA, CHE INTORNO SPIRI was written in December of 1783. While it has been thought that the Italian text, seemingly taken from a complete opera libretto, was written by Caterino Mazzolà, most now consider the author to just be unknown. Much like a similar situation from Beethoven's later opera, FIDELIO, the tenor character in Mozart's aria finds himself in prison at night. In the recitative, after begging his captors (seemingly all women) to release him, he resigns himself to death, his only wish to see his beloved again one last time. In the aria that follows, he begs the breeze ("aura, che intorno spiri, sull'ali a lei che adoro") to carry his sighs to this woman. Instrumentation: 2.0.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Tenor. Reprint edition.

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Additional Details
Series: Kalmus Vocal Library
Publisher: Keiser Productions, Inc.
UPC: 612735762568
SKU: 36-A297402
Instrumentation: 2.0.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Tenor

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed over 600 works across every major genre, from symphonies and concertos to operas and chamber music. His output demonstrated extraordinary technical mastery and emotional depth from childhood through his death at 35, establishing him as one of the foundational figures in Western classical music.

Mozart's vocal writing remains a standard for singers and teachers because of its combination of lyrical beauty, dramatic clarity, and technical challenge. His concert arias and recitatives, written for specific performers and occasions, showcase his gift for matching music to the human voice at its most expressive.

Why we love this

This recitative and aria pair captures Mozart at his most dramatically charged, with the recitative's urgent emotional arc followed by a soaring melodic plea that sits ideally for the tenor voice. The orchestration supports rather than overwhelms the soloist, and the contained scale makes it accessible for concert programming without requiring full opera production.

What to expect

The recitative burns with urgency and despair, shifting abruptly from plea to resignation as the character accepts his fate. The aria that follows transforms that anguish into something more delicate and yearning, as the tenor addresses an unseen beloved through the image of a gentle breeze carrying his longing across the night.

Who it's for

Tenors preparing concert recitals or operatic audition material will find this aria both vocally rewarding and musically substantial. It works equally well for experienced singers in a formal concert setting or advanced students seeking repertoire that demands both technical control and emotional maturity.

How to get the most out of it

  • Shape the recitative with conversational phrasing that allows the text to communicate the character's desperation and resignation; resist over-dramatizing passages that should feel intimate despite the orchestral support.
  • Sustain the legato line in the aria's main melody, particularly through the repeated phrases about the breeze carrying his sighs; this is where the piece's emotional pull lives.
  • Balance the tenor's voice against the woodwind writing in the aria, which mirrors and comments on the vocal line; clarity matters more than volume.

How to use it

This works well as a standalone concert piece on a recital focused on Mozart or eighteenth-century vocal literature, or paired with other Mozart arias to showcase different facets of his writing for voice. Its dramatic intensity and moderate length make it suitable for competition programs or formal recital contexts where a single substantial aria creates impact.

Skills your students will build

  • Coordinating dramatic recitative delivery with clear diction in Italian
  • Sustaining legit tone through extended lyrical phrases in the major key
  • Responding to orchestral cues and balancing the vocal line against woodwind accompaniment
  • Creating character and emotional arc across both recitative and aria as a unified dramatic statement

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