Miracle Of Love (arr. Ed Hogan): SATB Choral Octavo

Ed Hogan's arrangement captures the warmth of Tomlin's original without overwhelming your singers with technical demands. The SATB voicing sits naturally, allowing you to focus on the interpretive and emotional work of the piece rather than wrestling with awkward ranges or divisi complexity.

The piece radiates a quiet joy; not bombastic or sentimental, but genuinely affecting in its simplicity. The arrangement emphasizes Tomlin's gift for memorable melodic lines that stay with singers and listeners long after the final note.

Choirs seeking contemporary Christian repertoire that connects with modern congregations and audiences without requiring extensive vocal training. The 15-page score suggests manageable rehearsal time for groups of intermediate skill level.

• Balance the harmonic movement in the middle voices; tenors and altos often carry passing tones that define the chord progressions, so they need audible presence without overshadowing the melody.
• Shape the phrasing through breath placement rather than artificial tempo fluctuation. Find natural text breaks that let the lyrical content unfold organically.
• Consider the context of surrounding pieces in your program. This arrangement works best when it has acoustic space around it, rather than back-to-back with other sustained, legato material.

Place this during the second half of your holiday concert to provide tonal and textural contrast after opening numbers. It works especially well as a bridge between more elaborate arrangements and any acappella selections you may include.

• Balancing four-part harmony with clear textural hierarchy
• Sustaining legato phrasing across longer phrases without breath interruption
• Matching vowel shapes across the ensemble for unified sound
• Interpreting contemporary chord progressions and voice leading