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"Military" Symphony: Full Orchestra Conductor Score & Parts

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"Military" Symphony Cover Image

"Military" Symphony: Full Orchestra Conductor Score & Parts

Second Movement

By Franz Joseph Haydn / arr. Richard Meyer

Grade: 2

Item: 00-33739

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Description
One of Haydn's most famous symphonic movements, this selection will give your students a chance to develop a refined, "Classic" style of playing. It seems like Haydn included everything in this movement---a delicately beautiful main theme, wild, minor-keyed outbursts, military percussion, and a solo trumpet fanfare. No wonder the London audiences went crazy over it! Arranged with the young orchestra in mind, all string parts are in first position. A great introduction to a too-often neglected style.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, "Military" Symphony: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling First Philharmonic
Publisher: Alfred Music
Page Count: 194
UPC: 038081394596
SKU: 00-33739

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn spent nearly thirty years as the court composer for the Esterházy family in Hungary, a position that demanded constant innovation across every musical form. His symphonies shaped the Classical symphony's very definition, he brought architecture, wit, and emotional depth to a form that could have remained decorative. Haydn's influence on his younger contemporaries Mozart and Beethoven was profound, yet his own works remain endlessly rewarding to conduct and perform.

Why we love this

This movement captures everything that makes Haydn irresistible: elegant themes that sit beautifully on student instruments, dramatic contrasts that keep everyone engaged, and that unforgettable trumpet fanfare that never fails to earn applause. The arrangement respects young players without dumbing down the writing, and Meyer's handling of the string parts in first position proves that accessibility and sophistication aren't mutually exclusive.

What to expect

Elegant and spirited by turns, with a military swagger that never becomes bombastic. The piece carries the wit of the concert hall, moments of unexpected tenderness break through triumphant passages, and a single trumpet cuts through with aristocratic flair, reminding everyone why London audiences couldn't get enough of Haydn.

Who it's for

Grade 2 orchestras ready to encounter genuine Classical style without sacrificing technical accessibility. Students new to Haydn will discover why his music endures; those who've played lighter arrangements will feel how much more the original voice offers.

How to get the most out of it

  • Shape the main theme with deliberate phrasing rather than mechanical precision. The delicacy Haydn asks for comes from listening to each other's breath, not from playing smaller.
  • Balance the military percussion so it punctuates without overwhelming the strings. These instruments announce themselves; they shouldn't drown out the very melodies they're meant to highlight.
  • Bring the minor-key outbursts to full intensity. Haydn wrote these contrasts intentionally, and students often underplay what they perceive as 'rougher' material out of timidity.
  • Give the trumpet soloist room to breathe and shine. This is their moment, and the orchestra should support it the way an ensemble would frame a concerto moment.

How to use it

Program this as a centerpiece on a Classical-era concert, pairing it with Mozart or early Beethoven to show how the generation after Haydn built on his innovations. It works equally well as a festival selection where its historical importance and musical substance earn judges' respect while remaining accessible enough for a young ensemble to execute with confidence.

Skills your students will build

  • Phrasing in Classical style (balancing clarity with musicality)
  • Dynamic contrast and dramatic timing
  • Ensemble balance with multiple dialogue layers
  • Reading first-position string arrangements
  • Supporting soloists within orchestral texture
  • Articulation choices in minor and major tonalities

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