Mighty Is The Power Of The Cross Sheet Music Preview

Mighty Is The Power Of The Cross: SAB Choral Octavo

As performed by Chris Tomlin / Arranged by Mark Brymer

Item: 35-DS00278258

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00278258

More about this title

About the Artist: Chris Tomlin

Chris Tomlin is a modern hymn writer and worship leader whose compositions have become staples in contemporary Christian worship across denominations. His gift lies in crafting singable melodies paired with theologically substantive lyrics that work equally well in congregational settings and concert performances.

Tomlin's arrangements for choirs bring his accessible compositional style to ensemble settings without sacrificing musical integrity. His work consistently balances approachability with enough harmonic interest to keep singers engaged through rehearsal and performance.

Why we love this

Mark Brymer's arrangement respects the melodic strength of Tomlin's original while crafting an SAB voicing that sits naturally across three parts. The piece delivers textural variety and genuine harmonic movement without requiring virtuosic ranges or excessive rehearsal time, making it genuinely useful for mixed choirs.

What to expect

The piece combines the accessibility of a contemporary hymn with the structural satisfaction of a well-crafted choral arrangement. Singers experience both the directness of a singable melody and the collaborative richness of three-part writing that creates something larger than any single line alone.

Who it's for

This arrangement works for church choirs, community choirs, and high school ensembles seeking contemporary sacred music with genuine harmonic substance. Directors wanting to include modern worship material in a concert without compromising musical standards will find this a solid choice.

How to get the most out of it

  • Balance the melody carefully in the soprano line; this tune's power depends on its clarity rather than aggressive volume.
  • Shape the phrase endings with slight ritards to emphasize the theological weight of the text, particularly at structural cadences.
  • Keep the accompaniment rhythmically precise in dialogue sections to prevent the arrangement from becoming muddled across the three voices.
  • Encourage sustained vowels on sustained notes to create warmth and blend, especially where voices move in parallel motion.

How to use it

Include this alongside traditional hymns in a sacred music concert to demonstrate how modern worship composition and classical choral writing serve similar purposes. It works particularly well in spring programs or worship services where contemporary and traditional repertoire sit side by side.

Skills your students will build

  • Balancing melody against supporting harmonic voices
  • Reading and executing SAB voicings with appropriate voice leading
  • Sustaining legit singing across three-part textures
  • Interpreting contemporary sacred music with musical intention rather than stylistic caricature

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