Micro Composition 13 Sheet Music Preview

Micro Composition 13: Jazz Ensemble Conductor Score & Parts

Arranged by Jared Balogh

Item: 35-PK00278935

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Description
For album "Micro Composition 13" unreleased at this time. Duration: 02:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00278935

More about this title

Why we love this

A two-minute composition gives you precision without excess. Balogh's arrangement respects the ensemble's need for clear melodic and harmonic material while keeping rehearsal time focused on execution rather than navigation.

What to expect

Compact and purposeful. Every note serves the composition's intent rather than filling space, creating an arrangement that listens as finished and intentional despite its brevity.

Who it's for

Jazz ensembles working at intermediate levels who need focused, professionally arranged material that doesn't demand hours of decoding. The two-minute duration makes this suitable for concert programming, student jam sessions, or curriculum modules on modern composition.

How to get the most out of it

  • Establish the groove early in sectionals. The rhythm section's pocket work anchors everything else, so lock that first before layering soloists or harmonic voices.
  • Record a reference with click and basic comping so students can internalize the form before running full rehearsals.
  • Balance ensemble unison passages against solo moments by using dynamic contrast in the full score, not just individual part adjustments.

How to use it

Pair this with a longer jazz standard or original composition to create variety in a single set without overcommitting rehearsal resources. A two-minute piece also works well as a concert opener or closer, or as a teaching example when introducing students to contemporary small ensemble writing.

Skills your students will build

  • Reading lead sheets and chord symbols with rhythmic precision
  • Playing with ensemble cohesion across short, defined forms
  • Responding to conductor cues in contemporary jazz contexts
  • Balancing solo and section playing
  • Executing modern jazz articulation and phrasing

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