Michael Finnigin: 3-Part Mixed Choral Octavo
Arr. Dave and Jean Perry
Item: 00-PO-0002171
$2.25
Minimum order quantity: 20 copies
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Description
Dave and Jean Perry have created a clever new arrangement of an American folk song classic. The strong individual vocal line, combined with modest ranges and solid part writing make it an ideal choice for young and developing choirs. It's exactly what middle schools and elementary choirs should be singing. Great for developing good diction in young singers. Cute piano accompaniment or use the hoe-down style SoundTrax CD.
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Additional Details
Series:
Alfred Archive Edition: Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0002171
More about this title
About the Arranger: Dave Perry
Dave Perry is an arranger and composer whose work spans choral, band, and orchestral settings. His arrangements for Alfred Music emphasize accessibility without sacrificing musicality, making him a trusted resource for directors seeking repertoire that serves developing ensembles while maintaining artistic integrity.
Why we love this
This arrangement trusts young singers with a genuine folk melody and honest part writing instead of oversimplifying the material. The hoe-down character gives choirs permission to have fun while building real vocal skills, and the modest ranges mean your entire section can access the music.
What to expect
Rollicking and warm, this arrangement captures the spirit of a hoe-down without demanding technical pyrotechnics. The familiar folk melody sits comfortably in young voices and invites the kind of honest, unpretentious musicmaking that reminds singers why they love to sing together.
Who it's for
Middle school and elementary choirs benefit most from this octavo, especially groups developing foundational ensemble skills and vocal independence. The modest ranges and straightforward part writing make it accessible for singers still building confidence, while the melodic strength keeps mature ears engaged.
How to get the most out of it
- Lean into the rhythmic drive of the accompaniment to anchor the ensemble's sense of pulse, especially during syncopated moments where voices might rush.
- Shape the melodic line with careful attention to phrase breathing; mark breath points that allow singers to complete musical thoughts rather than interrupt mid-phrase.
- Experiment with both the piano accompaniment and the recorded SoundTrax version to find which best suits your ensemble's rehearsal needs and concert sound.
- Work diction detail early and often; folk music thrives on crisp consonants and clear vowels, which naturally improve tone quality across the ensemble.
How to use it
Program this in a casual or pop-out-of-your-seat concert context where energy and joy matter more than solemn precision. It pairs well with other folk-inspired choral selections or as a palate cleanser between more formally structured pieces.
Skills your students will build
- Independent melodic line singing within a three-part texture
- Clear diction in a folk idiom
- Rhythmic precision in hoe-down style accompaniment
- Phrase shaping and strategic breath placement
- Part independence without excessive vocal demands