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Metamorphoses for Bassoon: Bassoon (Solo)

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Metamorphoses for Bassoon Cover Image

Metamorphoses for Bassoon: Bassoon (Solo)

8 Pieces

By Leslie Bassett

Item: 98-EP67373

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Description

In each of its 8 movements, Leslie Bassett's Metamorphoses for solo bassoon takes a famous fragment from the orchestral bassoon literature as the basis for a musical transformation.

The sources are:

  • I. Stravinsky - Rite of Spring
  • II. Prokofiev - Peter & the Wolf
  • III. Tchaikovsky - Symphony No. 4
  • IV. Beethoven - Symphony No. 3
  • V. Beethoven - Symphony No. 1
  • VI. Beethoven - Symphony No. 8
  • VII. Scriabin - Poem of Ecstasy
  • VIII. Chabrier - Epana

Metamophoses was commissioned by friends, colleagues, and students of L. Hugh Cooper, Professor of Music (bassoon) at the University of Michigan, on the occasion of his retirement and in appreciation of this many contributions to performance, teaching, and research. The premiere performance was by Gwendolyn (Wendy) Rose at the University of Michigan on February 12, 1991, with immediate subsequent performances by Richard Beene.

Some fingerings and performance suggestions supplied by Mr. Cooper, Mr. Beene, and Ms. Rose are to be found in the work's index.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-30-073902-8
ISBN13: 979-0-3007-3902-1
SKU: 98-EP67373

More about this title

About the Composer: Leslie Bassett

Leslie Bassett is an American composer whose work spans orchestral, chamber, and solo instrumental music. A faculty member at the University of Michigan for decades, Bassett has earned recognition for his craftsmanship and harmonic sophistication, contributing significantly to the twentieth-century wind and bassoon repertoire.

Bassett's compositional voice balances modernist technique with lyrical expression. His works often engage with musical tradition while exploring new structural possibilities, making him a valued voice among composers writing for university ensembles and professional performers.

Why we love this

Metamorphoses transforms eight iconic orchestral bassoon passages into a cohesive solo suite that challenges and showcases the instrument's full range and expressive capability. The concept is intellectually satisfying for advanced players: recognizing familiar fragments from Stravinsky, Prokofiev, Beethoven, and others while discovering how Bassett reimagines them creates both musical and pedagogical richness. This work elevates the solo bassoon recital from a collection of pieces into a curated artistic statement.

What to expect

Eight interlocking musical conversations with the classical and early modern orchestral canon. Each movement captures a distinctive mood: the primal energy of Stravinsky transforms into something introspective; Prokofiev's narrative color becomes abstracted; Beethoven's symphonic weight is distilled into intimate confession. The suite unfolds like a journey through musical memory, each metamorphosis revealing new dimensions of the source while honoring its essence.

Who it's for

This work is designed for advanced bassoon soloists preparing recital repertoire or competing at high levels. The suite demands secure command of the instrument's full range, interpretive maturity, and intellectual engagement with the source material. College and university students, professional performers, and serious amateurs seeking substantial solo literature will find this both rewarding and demanding.

How to get the most out of it

  • Study the index notes from Cooper, Beene, and Rose before you begin. Their fingering suggestions and performance guidance are integral to the work's success and offer valuable insight into the composer's intent.
  • Map out the source material for each movement before rehearsal. Knowing the original orchestral context sharpens your interpretive choices and helps you hear how Bassett's transformation reshapes each fragment.
  • Pay close attention to dynamic and articulation contrasts between movements. These shifts define each metamorphosis and prevent the eight movements from blurring into a unified tone.
  • Approach the extended technical passages with rhythmic clarity rather than speed. Bassett's writing demands precision and control, which serves the transformation concept better than virtuosic display.

How to use it

Program Metamorphoses as the centerpiece of a solo bassoon recital, either as a complete suite or in selected movements. The work pairs well with Baroque sonatas, twentieth-century avant-garde pieces, or other contemporary solo works that explore similar transformative concepts. It also serves as an excellent capstone recital requirement for advanced studio students.

Skills your students will build

  • Interpreting contemporary classical language with extended range and articulation techniques
  • Recognizing and engaging with source material from orchestral literature
  • Building sustained musical narratives across multiple movements
  • Executing technical passagework with rhythmic precision and musical intention
  • Balancing technical demands with interpretive depth in solo performance

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