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Messiah Suite (10 movements): Brass Quintet Score & Parts

$100.00 USD
$100.00 USD
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Messiah Suite (10 movements) Cover Image
Messiah Suite (10 movements): Brass Quintet Score & Parts

Messiah Suite (10 movements): Brass Quintet Score & Parts

By George Frederic Handel / arr. David Marlatt

Level: Difficult

Item: 81-BQMC
$100.00
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Description
The premise of this set of transcriptions was to provide a substantial suite of pieces from Handel's Messiah for the performing brass quintet. The difficulty in the various pieces range from quite easy, which a high school ensemble could play with little rehearsal, to fairly difficult, which could challenge a professional, working quintet. Piccolo and E-flat trumpets are used extensively and the range and technical demands on all players makes for interesting and challenging parts. There have been selected movements that are features for 1 (or more instruments). Each member in the ensemble has at least 1 movement that is their solo and this allows all the talents in a group to be displayed. After a quick glance over the list of 10 pieces one quickly notices that the famous Hallelujah! is not among them. This has been done intentionally. There are many renditions of this chorus already at a brass player's disposal, so any of those arrangements would help to augment this suite.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462003846
SKU: 81-BQMC
Instrumentation: Brass Quintet

More about this title

Why we love this

This suite respects the full range of your quintet's abilities by mixing accessible movements with genuinely challenging ones, so every player stays engaged whether you're preparing for a holiday concert or pushing toward a competition. The intentional choice to exclude Hallelujah leaves room for you to program your own favorite version, but these ten movements together create a cohesive and substantial Messiah experience that works beautifully as a standalone set.

What to expect

Handel's grandeur and ceremonial elegance shine through in these transcriptions, with soaring melodies and harmonic richness that reward careful listening. The baroque ornamentation and dance-like rhythms feel both stately and intimate when played by five voices, creating moments of genuine dignity and warmth.

Who it's for

High school brass quintets through professional ensembles will find pieces suited to their level here. The mixed difficulty across ten movements makes this an ideal project when your group wants to grow over the course of rehearsals while still delivering polished, festive performances from day one.

How to get the most out of it

  • Balance the piccolo and E-flat trumpet lines carefully in ensemble sections; their brightness can easily overwhelm the lower voices, especially in pieces marked at moderate tempos.
  • Use the solo features as opportunities for individual growth: assign each movement's featured part to the player it highlights, and give them extra rehearsal time to develop their voice.
  • Study the baroque articulation and phrasing conventions across all ten movements so ornaments and runs feel idiomatic rather than merely technical.
  • Schedule sectional rehearsals by range and register early in your preparation; the technical demands vary enough that players benefit from isolated work on their specific challenges.

How to use it

Program this suite across multiple winter concerts to build anticipation and variety in your season. You might open a December concert with an easier movement, use the solo features throughout different programs to spotlight individual players, and save one of the most ambitious movements for your final holiday performance when the ensemble has had weeks to refine it.

Skills your students will build

  • baroque articulation and ornamentation
  • balancing piccolo and E-flat trumpet in mixed-voice ensemble writing
  • solo phrasing and independence within the quintet texture
  • reading high register and extended range demands on all instruments
  • collaborative ensemble intonation across five independent voice parts

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