Messiah, HWV 56: Part II, Chorus: Hallelujah (Mozart/Prout) Cover Image

Messiah, HWV 56: Part II, Chorus: Hallelujah (Mozart/Prout): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

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Messiah, HWV 56: Part II, Chorus: Hallelujah (Mozart/Prout) Cover Image

Messiah, HWV 56: Part II, Chorus: Hallelujah (Mozart/Prout): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

By George Frideric Handel, ed./arr. by Wolfgang Amadeus Mozart/ Ebenezer Prout/ Libretto by Charles Jennens

Item: 36-A282402

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George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. In 1789, Baron Gottfried Van Swieten commissioned Mozart to create a modernized version for a concert in Vienna. This edition of Mozart's HALLELUJAH CHORUS arrangement is edited by English music theorist and composer Ebenezer Prout. It includes the original wind parts by Handel which Prout rediscovered and incorporated in his 1902 volume. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org: Str (4.4.3.3.3 in set): Chor.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 659859247632
SKU: 36-A282402
Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org: Str (4.4.3.3.3 in set): Chor

More about this title

About the Composer: George Frideric Handel

George Frideric Handel (1685-1759) was a German-born composer who spent most of his career in England, where he became a dominant figure in Baroque music. His fluency across opera, oratorio, orchestral music, and instrumental genres made him one of the most versatile composers of his era, and his ability to write for both aristocratic patrons and public audiences gave his work enduring appeal.

Handel's Messiah stands as his most performed work worldwide. Composed in 1741 for a Dublin benefit concert, the oratorio combines biblical text (chosen by librettist Charles Jennens) with music of extraordinary invention, from intimate arias to monumental choruses. Its structure, emotional range, and accessibility to both professional and amateur musicians have secured its place in the repertoire for nearly three centuries.

Why we love this

This Mozart-enhanced version gives conductors access to one of the most recognizable moments in all of classical music while working with orchestral forces that align with late 18th-century practice. Mozart's reimagining clarifies textures and adds transparency without diminishing the chorus's grandeur, and Prout's scholarship (recovering Handel's original wind writing) ensures you're conducting historically informed Baroque magnificence through a Classical lens. The full score and parts format makes this immediately viable for concert programming without compromise.

What to expect

Jubilation breaks into the room with the very first chord. The orchestral unison that opens the section pulses with inevitability, building through harmonic motion and rhythmic repetition until the full chorus enters with a declaration that feels both timeless and immediate. Underneath runs the steady heartbeat of continuo and timpani, while the words repeat with increasing exultation until triumph seems almost inevitable.

Who it's for

This edition serves conductors programming Messiah who want scholarly authenticity without sacrificing the orchestral sophistication that Mozart brought to the score. It works equally well for professional choruses, university choral programs, and advanced community orchestras capable of handling the full instrumentation.

How to get the most out of it

  • Balance the organ continuo against the string sections to support harmonic clarity; the organ should anchor without overwhelming the orchestral texture.
  • Shape the rhythmic drive through precise ensemble attack on tutti moments; clarity in the opening section sets the tone for the entire chorus.
  • Pay attention to Prout's articulation markings in the winds, which often reflect Handel's original intentions that had been lost to earlier editions.
  • Conduct with sufficient space to allow the choir room for diction without rushing; Handel's text setting rewards clear syllabic delivery.

How to use it

The Hallelujah Chorus functions as a powerful standalone work for holiday concerts, Easter services, or special events celebrating major choral achievements. Many conductors also program it as the closing statement after performing other movements from Messiah, allowing the concert to build toward this spectacular moment. Its cultural familiarity makes it an excellent choice for community or educational settings where you want to draw audiences unfamiliar with classical music into the repertoire.

Skills your students will build

  • Unified ensemble singing and rhythmic precision across large vocal forces
  • Baroque text declamation and syllabic clarity in English
  • Coordinate ensemble attacks with orchestral accompaniment
  • Sustaining long phrases with consistent breath support and vocal stamina
  • Understanding harmonic structure and voice leading in Baroque choral writing
  • Responding to conducting cues for dynamic shaping and textural balance

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