Messe solennelle en l'honneur de Sainte Cécile (St. Cecilia Mass) (Wind Set) Cover Image

Messe solennelle en l'honneur de Sainte Cécile (St. Cecilia Mass) (Wind Set): Choral Orchestration Parts

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Messe solennelle en l'honneur de Sainte Cécile (St. Cecilia Mass) (Wind Set) Cover Image

Messe solennelle en l'honneur de Sainte Cécile (St. Cecilia Mass) (Wind Set): Choral Orchestration Parts

Charles Gounod

Item: 98-EP8838-WND

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 120
ISBN10: 0-01-411938-2
ISBN13: 979-0-01-411938-6
SKU: 98-EP8838-WND

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818-1893) was a French composer whose gifts for melody and orchestration made him one of the most performed classical composers of his era. His sacred music, including this St. Cecilia Mass, demonstrates his mastery of the grand manner: richly scored, emotionally direct, and designed to move both performers and listeners. Gounod's approach to the Mass combined the formal structures of the classical tradition with the harmonic warmth and dramatic sweep of Romantic expression.

Why we love this

This orchestration brings sophistication and grandeur to choral rehearsals without requiring a full symphonic orchestra. The wind and brass parts are idiomatic and rewarding to play, giving your ensemble the sound of a major work while remaining within the scope of a school or community program. Gounod's gift for memorable melody shines throughout, and the liturgical context makes this an excellent choice for both concert and sacred music programming.

What to expect

Gounod's Mass radiates formal dignity and Romantic warmth in equal measure. The wind and brass parts create a luminous, devotional atmosphere that supports the choir without overwhelming it, while passages of soaring melody give singers and players moments of genuine lyrical expression. The work breathes with the confidence of a composer at home in both the church and the concert hall.

Who it's for

This work is suited to high school and college choral programs with access to capable wind and brass players, as well as community choirs working with local musicians. Directors seeking a major-scale sacred work that is musically substantial yet less demanding than a full symphonic orchestration will find this orchestration ideal.

How to get the most out of it

  • Balance the chorus against the wind and brass parts by seating instrumentalists behind or to the sides of the singers; the orchestration is lush enough to cover singers if placed forward.
  • Observe the dynamic markings carefully; Gounod uses terraced dynamics and sustained passages that require discipline from both wind and brass sections to avoid drowning out the text.
  • Prepare the brass section to shape longer phrases with consistent vibrato control and clear articulation, especially in the Kyrie and Gloria where sustained chords are foundational to the harmonic richness.
  • Work the wind section's rhythmic precision in passages where they carry counter-melodies; clarity here prevents the texture from becoming muddy when combined with the choir.

How to use it

Program this as a centerpiece for a concert devoted to sacred or classical repertoire, or pair it with other Mass settings to explore how different composers have approached this essential liturgical form. It works equally well in a concert setting or as part of a festival focused on 19th-century choral music. The work's length and stature make it suitable as a season finale or special event program.

Skills your students will build

  • Reading and executing terraced dynamics in sustained harmonic passages
  • Balancing instrumental and choral textures in a large ensemble setting
  • Performing lyrical melodic lines with consistent phrase direction and support
  • Coordinating articulation and vibrato control across a mixed wind and brass section
  • Understanding French pronunciation and liturgical Latin within a Romantic musical context

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