Merry Mallet Music - Two Holiday Songs for Two Marimbas Sheet Music Preview

Merry Mallet Music - Two Holiday Songs for Two Marimbas: Percussion Ensemble Conductor Score & Parts

Two Holiday Songs for Two Marimbas

Arranged by Mike Hansen, Mitchell Beckman

Grade: 3

Item: 98-PK-RWS2350

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$40.00

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Description
Written for two marimbas and four percussionists, this clever and musical setting of two traditional favorites is an excellent choice for your next holiday concert program. Featuring "God Rest Ye Merry, Gentlemen" and "Up On The Housetop," the arrangers have created unique settings of familiar melodies that will highlight the musicianship of your percussionists. The option of staging the marimbas in different parts of the hall makes this a perfect choice for a prism concert or transitions during your holiday performance. A wonderful choice for your percussionists and their continued development!

Original Item#: RWS-2350-00

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Additional Details
Series: RWS - Infinity Percussion
Publisher: RWS Music Company
SKU: 98-PK-RWS2350

More about this title

Why we love this

Hansen and Beckman have reshaped two carols that could easily feel rote into genuinely engaging vehicles for percussion musicianship. The spatial staging option transforms a standard holiday concert into something memorable, and the writing treats your ensemble as serious musicians rather than filler acts.

What to expect

These arrangements feel fresh without losing the warmth of the original carols. The interplay between two marimbas creates dialogue and movement, while the supporting percussion ensemble work maintains the festive character that makes these melodies instantly recognizable.

Who it's for

Percussion ensembles at the Grade 3 level looking for substantial but accessible holiday repertoire. This works equally well for percussion-focused groups and for bands or orchestras seeking a dedicated percussion feature that doesn't require extensive additional rehearsal time.

How to get the most out of it

  • Experiment with mallet selection across the two marimba parts. Softer mallets on one instrument and slightly harder ones on the other can clarify the independence of the two melodic lines.
  • If staging marimbas in separate locations, establish clear visual communication (conductor or designated player eye contact) so both instrumentalists remain locked together despite physical distance.
  • Balance the supporting percussion parts carefully. They should anchor the harmonic foundation without overwhelming the marimba lines that carry the recognizable melodies.

How to use it

Use this as a centered percussion feature during a longer holiday concert, or program both pieces back-to-back as a brisk two-song percussion set that showcases your ensemble's range. The spatial staging option makes it especially effective for prism concerts or transitions where you want to hold attention between larger ensemble selections.

Skills your students will build

  • Coordinating two independent marimba parts with different rhythmic roles
  • Reading and executing percussion parts that span multiple instruments and staves
  • Balancing melody and accompaniment within an ensemble texture
  • Responding to conductor cues across physical distance (if using staged arrangement)
  • Mallet control and tone production on marimba

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