Merry Christmas Everyone (arr. Hans Reintjes) Sheet Music Preview

Merry Christmas Everyone (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Shakin' Stevens / Arranged by Hans Reintjes

Item: 35-DS00487948

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Additional Details
Publisher: Hal Leonard
Page Count: 130
SKU: 35-DS00487948

More about this title

About the Artist: Shakin' Stevens

Shakin' Stevens built his career on infectious energy and the kind of pop sensibility that translates instantly to live performance. His 1984 hit 'Merry Christmas Everyone' became a UK holiday staple precisely because it captures something essential about the season: warmth, momentum, and genuine joy that doesn't require cynicism or irony.

For choral directors, Stevens' catalog represents a goldmine of material that students actually want to sing. His melodies sit naturally in the voice, his arrangements reward ensemble precision, and his songs carry the kind of cultural weight that makes students proud to perform them.

Why we love this

Reintjes has taken a perennial holiday radio favorite and given it the choral treatment it deserves. The SSAA voicing opens this arrangement to mixed ensembles while maintaining the pop vitality that makes the original so contagious; your singers won't experience this as a diluted version but as a legitimate concert arrangement with real harmonic interest.

What to expect

Infectious and celebratory without veering into sentimentality. The arrangement maintains the original's propulsive energy while adding harmonic sophistication that feels earned rather than imposed. Singing this feels like being part of something genuinely joyful.

Who it's for

Intermediate to advanced SSAA choirs looking for contemporary holiday repertoire with staying power. This works equally well for concert choirs adding seasonal material or for pop/show choirs building their repertoire beyond a capella novelties.

How to get the most out of it

  • Keep the forward motion alive even in sustained passages. This tune lives on rhythmic momentum, so resist the impulse to linger on held notes.
  • Balance the soprano line clearly without letting it overpower the inner voices. Reintjes has written genuine countermelody material in the altos that deserves space.
  • Lock the homophonic sections with precision. When all four voices move together, the rhythmic definition will read as confidence rather than slickness.

How to use it

Position this as a finale or penultimate piece on a holiday concert. The audience recognition factor combined with genuine musical substance makes it ideal for bridging classical and contemporary programming. It also serves as an excellent morale builder during holiday season rehearsals when energy and focus can flag.

Skills your students will build

  • Balancing pop style vocabulary with concert singing technique
  • Tracking independent lines within a fundamentally pop harmonic language
  • Sustaining vocal energy and clarity in rhythmically driven arrangements
  • Managing dynamics in contemporary arranging that favors brightness over classical restraint

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