Merry Christmas (arr. Ryan O'Connell) Sheet Music Preview

Merry Christmas (arr. Ryan O'Connell): Choral Instrumental Pak

As performed by Johnny Mathis

Item: 35-PK00428792

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Merry Christmas

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Publisher: Hal Leonard
SKU: 35-PK00428792

More about this title

About the Artist: Johnny Mathis

Johnny Mathis became one of the most recognizable voices in American popular music, with a career spanning seven decades. His smooth baritone and impeccable phrasing made him a natural fit for standards and seasonal repertoire, and his Christmas recordings have introduced generations of listeners to the warmth of holiday music.

Why we love this

Ryan O'Connell's arrangement brings the ease and elegance of Mathis's original to a choral and instrumental setting without losing the song's essential warmth. The voicing works beautifully for mixed ensembles while keeping accompaniment demands reasonable, making it genuinely singable for a range of group sizes and skill levels.

What to expect

Intimate and genuinely nostalgic without slipping into sentimentality. The arrangement captures Mathis's signature elegance: straightforward harmony, clear melodic lines, and the kind of gentle swing that makes people want to listen rather than just hear.

Who it's for

Any mixed or treble choir looking for a sophisticated holiday addition that appeals to audiences of all ages. This arrangement works equally well for community choirs, school ensembles, and small vocal groups.

How to get the most out of it

  • Keep the legato phrasing conversational rather than operatic; this song lives in understatement, not drama.
  • Balance the ensemble so the melody stays centered without requiring soloists to oversing.
  • Lean into the lyrical quality of the accompaniment rather than treating it as mere background.
  • Tempo stability matters more than speed; a gentle, walking pulse holds the warmth better than rushing.

How to use it

Pair this with a mix of traditional carols and contemporary holiday pieces for a program that honors both classic songbook standards and modern sensibilities. It works particularly well in the second half of a concert when audiences are settled and ready to experience something reflective.

Skills your students will build

  • Sustaining long phrases with consistent breath support
  • Maintaining pitch and blend in slower, exposed harmonic textures
  • Interpreting jazz-inflected phrasing and subtle swing rhythms
  • Balancing melodic independence with ensemble cohesion

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