Mendelssohn: Scherzo in E Minor, Opus 16, No. 2 Cover Image

Mendelssohn: Scherzo in E Minor, Opus 16, No. 2: Piano Sheet

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Mendelssohn: Scherzo in E Minor, Opus 16, No. 2 Cover Image

Mendelssohn: Scherzo in E Minor, Opus 16, No. 2: Piano Sheet

By Felix Mendelssohn / ed. Willard A. Palmer

Level: Early Advanced

Item: 00-3299

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Description
The most popular and enduring of Mendelssohn's "Trois Fantasias ou Caprices, Op. 16," this Scherzo is reminiscent of the overture for "A Midsummer Night's Dream" written two years previous to this one. Willard Palmer includes historic and performance notes and a reproduction of one of Mendelssohn's autographs of the piece.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 8
UPC: 038081042398
SKU: 00-3299

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) shaped the Romantic piano repertoire through works that balanced virtuosity with lyrical depth. His keyboard writing demands both technical fluency and expressive sophistication, influencing generations of composers and pianists who followed.

Mendelssohn's compositional voice unified classical form with Romantic sentiment. His familiarity with Bach, combined with his gift for orchestral thinking at the keyboard, made his piano works essential to the concert stage and the teaching studio.

Why we love this

This scherzo captures the restless energy and orchestral imagination Mendelssohn brought to his keyboard writing. Its connection to the Midsummer Night's Dream overture gives it narrative weight while remaining thoroughly pianistic, making it an ideal bridge between the Classical-Romantic divide for advanced students ready to engage serious repertoire.

What to expect

Mercurial and quicksilver, the Scherzo darts between whimsical ostinatos and moments of genuine lyric warmth. Its orchestral voice suggests strings and woodwinds dancing across a stage, with the keyboard capturing both the precision and the theatrical flair of Mendelssohn's instrumental imagination.

Who it's for

Advanced pianists preparing for conservatory auditions or advanced recital programming will find this piece indispensable. It rewards pianists with strong command of Romantic idiom and the technical facility to navigate its decorative passages while maintaining musical direction.

How to get the most out of it

  • Shape the gossamer figurations with clarity rather than weight; these passages demand transparent voicing and consistent finger articulation across the fast passagework.
  • Attend carefully to Mendelssohn's dynamic markings and sudden shifts between registers; they drive the drama forward and prevent the piece from settling into routine repetition.
  • Balance the lyrical moments against the scherzo's inherent vigor; resist slowing excessively in the gentler sections, as the piece thrives on forward momentum.
  • Study Palmer's performance notes and the autograph reproduction alongside the score to understand Mendelssohn's own musical intentions and the context in which he wrote this work.

How to use it

Pair this with other early Romantic solo works to anchor a recital centered on keyboard masterworks of the 1830s-1840s. Its eight-page length makes it substantial enough to anchor a program segment while remaining nimble enough to sit alongside other character pieces or multi-movement works.

Skills your students will build

  • Rapid passagework with transparent voicing and even tone
  • Scherzo rhythm and the tempo relationships between sections
  • Pedal control in sustained harmonic accompaniment
  • Dynamic contrast and sudden register shifts
  • Lyrical phrasing within virtuosic context

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