Memories Are Made Of This Sheet Music Preview

Memories Are Made Of This: E-Z Play Today

As performed by Dean Martin

Item: 35-DS00448042

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00448042

More about this title

About the Artist: Dean Martin

Dean Martin rose to prominence as one of the mid-twentieth century's most versatile entertainers, earning equal respect as a vocalist, actor, and television personality. His smooth baritone and effortless phrasing became hallmarks of the American popular song tradition, and his catalog of standards continues to provide essential material for musicians studying vocal jazz idioms and popular music interpretation.

Why we love this

This standard sits perfectly in the sweet spot between accessibility and musicality. The melody is infectious enough to engage young pianists while the harmonic progressions offer real opportunities to explore jazz voicings and rubato without requiring advanced technique.

What to expect

Warm nostalgia wrapped in a gentle swing. The tune has an unhurried grace that encourages rubato and personal interpretation, making space for both technical clarity and emotional storytelling.

Who it's for

Young pianists developing their jazz vocabulary and pop standards repertoire will find this accessible yet rewarding. Piano students studying vocal accompaniment or those preparing collaborative arrangements with singers will benefit from exploring the interplay between melody and support.

How to get the most out of it

  • Shape the melody with subtle dynamic swells at the phrase peaks rather than playing mechanically through; this song rewards singers and listeners alike when the instrumental line breathes alongside the vocal line.
  • Experiment with the tempo feel by allowing a touch of flexibility in the accompaniment's rhythmic pocket, which gives the piece its characteristic relaxed quality.
  • Color the harmonies by varying left hand voicing options; traditional block chords work, but exploring partial voicings can add sophistication without added complexity.

How to use it

Pair this with other mid-century standards to build a program celebrating American popular song, or use it as a bridge piece between classical and jazz contexts in a mixed-genre recital. Its three pages make it an ideal encore or opening number that sets an intimate, sophisticated mood.

Skills your students will build

  • Reading and interpreting jazz-influenced chord symbols
  • Accompanying a vocal line with flexible rubato
  • Creating left-hand voicing variations within harmonic progressions
  • Balancing melody prominence with supportive accompaniment

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